Socrates & Questioning Others
Socrates
(470-400 BCE) is a very famous yet controversial and obscure figure.
Like many great thinkers of the ancient world, he did not write his own
thoughts down but taught others and it was Plato (430-350 BCE) and
another philosopher and historian named Xenophon (not Xenophanes, the
philosopher) who wrote about Socrates and his teachings after his death.
The third major source of ancient Athenian literature that speaks
about Socrates is Aristophanes who wrote plays mocking Socrates and
portraying him as an idealistic fool. Recall that Aristophanes also
mocked Euripides, friend of Anaxagoras, for over-employing the deus ex
machina by lowering him into one of his own plays, and that Plato, in
his dialogue The Symposium, has Aristophanes argue for Empedocles’
theory of proto-human paired beings to explain love and sexuality.
It
is generally accepted by scholars today that Plato’s early dialogues
are one of the best sources for understanding Socrates and his ideas,
but in Plato’s later dialogues Socrates is a mouthpiece for Plato’s own
ideas. We will consider Socrates and his thought first, then turn to
Plato’s dialogues. Plato and his student Aristotle were revered by
Muslims and Christians alike and their texts survived because they were
important to the Abrahamic religions.
It
was believed and still is by many that Plato and Xenophon were
Socrates’ students, but new scholarship has shown that this may well not
have been the case. Plato was a playwright who wrote several unpopular
plays before writing the dialogues between Socrates and his students
that became celebrated as some of the first and central works of ancient
Greek philosophy. While Plato never appears in his plays himself, he
does put his own family members in roles. He has characters mention him
as a young devoted follower of Socrates. Remember that Diogenes
ridiculed Plato, saw his own teacher Antisthenes as the true devoted
student of Socrates and saw Plato as a foolish and ignorant hijacker of
Socrates’ lineage.
Originally,
Socrates questioned everyone to show that we know very little and it is
the job of the philosopher to show this to people. He would argue with
others, including famous thinkers and sages, who believed that they
possessed certain truth and point out the contradictions in their
reasoning. This is much like Heraclitus telling us to beware of experts
and being seduced into thinking that one school of thought or
perspective is simply correct but instead continue to investigate the
self and world as both have no limit to their depth or the things we can
learn. While Socrates did not put forward views of his own but rather
attacked others to show that human beliefs are imperfect and incomplete,
he believed like Xenophanes and Heraclitus that there was a true
singular good we should strive for through investigation even if we
never come to have a complete understanding of it. This is also like
Zeno, who saw all human judgements as involving contradiction.
In
Plato’s later dialogues Socrates argues for a view much more like that
of Pythagoras and Parmenides, that there is one unchanging reality above
the temporary perceivable world and it is the job of the philosopher to
seek and understand this eternal reality. Plato uses Socrates to teach
his own increasingly Pythagorean and Parmenidean view that there are
unchanging and eternal form of things in the heavens and only the
educated and the persistent come to see and understand these forms.
This later Platonic Socrates agrees with Parmenides that there is
knowledge above and separate from opinion, and that the truth is eternal
and unchanging. However, unlike Parmenides and Zeno but like
Pythagoras, Plato’s later Socrates believes that we can know the eternal
truth as having a proportional form, such that time and difference are
not mere illusions. The ‘form of the good’ is eternal, so it does not
change with time, but it does have a distinct shape much as Pythagoras
discovered via mathematics.
We
know very little about Socrates’ early life other than the details
supplied in Plato’s works. He mentions several influences, including
two women. He says that the witch/shaman Diotima taught him about love
and how it is central to life and the cosmos. Socrates also gives
credit to Aspasia, the mistress of the general Pericles, who he says
taught him rhetoric. Socrates was, like almost everyone else in Plato’s
dialogues, an aristocrat who knew politicians and the wealthy.
Socrates, Plato and Aristotle lived at a time when the glory days of
Athens were in decline.
Socrates’
career as a philosopher began when his friend Chaerephon went to the
oracle of Delphi to ask if anyone was wiser than his friend Socrates.
Socrates, with characteristic modesty, protests that this was a very
crass question to ask of the great oracle. The oracle replied to
Chaerephon that no one was wiser than Socrates. Upon hearing this,
Socrates says, with either genuine or false modesty, he was very
troubled by this because he did not believe that he was very wise at all
and this would mean that humanity is quite ignorant. He decided that
he needed to determine if what the oracle said was in fact true, and so
he began to wander and debate others, seeking someone wiser than
himself.
Notice
that while Socrates, like Anaxagoras, was charged with impiety, he did
believe in the oracle and in the gods. His last wish in the Apology
before drinking hemlock was that a rooster should be sacrificed to
Asclepius, the ancient Greek god of healing and mystical insight who is
associated with Thoth the Egyptian god of knowledge. Socrates seems to
have viewed his death as a cure of a condition.
Socrates
felt that he knew nothing, but as he questioned the experts of Athens
he came upon a horrible discovery and paradox. The experts believed
themselves to be wise and possess great knowledge, but when questioned
it turned out they knew very little. Socrates knew that he himself knew
nothing. Therefore, Socrates says he discovered that he was wiser than
the experts because he knew that he knew nothing, while the experts
knew nothing but thought that they knew a great deal. Humble and modest
Socrates was aware that mortal humans know nothing, but the
philosophers, politicians, artists and warriors were unaware of this
great equality they shared with Socrates. The ignorance of Socrates was
thus the greatest wisdom in all of Athens. It is certainly true that
the more one knows, the more one knows there is an endless amount to
know and that we are all quite equal in knowing very little even when we
know a great deal. There is another paradox here: the more one
surpasses others in wisdom, becoming different, one identifies with them
more, seeing the common similarity. Love and wisdom are complimentary.
Notice
the similarity between Socrates and Heraclitus, who argued that the
experts believe themselves to know a great deal but do not understand
that their knowledge and perspectives are mortal and we are all mere
apes to the gods. Socrates argued, like Heraclitus, that the greatest
wisdom is found in questioning oneself and others. Remember that great
city-states and empires had risen and fallen along with increasingly
specialized experts. Philosophy questions experts and the basis of our
knowledge, which humans find useful particularly in times of crisis when
hard questions must be asked. Socrates does not argue that we are
hopelessly ignorant, but like Heraclitus that we should continue to
examine ourselves and seek the truth and strive for the good.
Socrates
argued that one should accept one’s own ignorance and the guidance of
the world through intuition. He believed that he had a spirit, a
‘daemon’ in the Greek, a word which became “demon” as Christianity
replaced the polytheism and spirits with monotheism and angels. This
spirit was much like what we would call a conscience, a word which means
“co-seeing” or seeing along with, an intuition that one should or
should not do a particular thing, something Christians identified with
angels sitting on shoulders just as ancient Greeks did with spirits.
Socrates
says that his daemon told him to stay out of politics. Good advice,
seeing as how his death was quite political. Not only did politics get
Socrates killed in spite of this, but Plato has Socrates get
increasingly political in his later dialogues, particularly in the
Republic where Socrates debates the best form of the city. This is
another piece of evidence that Plato may not have known Socrates and is
using him as a mouthpiece for his own ideas. Socrates also praised the
divinity of poetry, mysticism, love and getting drunk with friends as he
does at the Symposium, a dialogue about a drinking party that turns
into a philosophical discussion about the nature of love.
Plato & His Dialogues
Plato
was long assumed to be a student of Socrates simply because Plato
writes as much in many of his dialogues and he is the best source for
knowing Socrates’ thought, though if he turned him into a mere
mouthpiece for very different ideas in the later dialogues he may also
be the worst. At the trial of Plato’s Apology, Socrates twice mentions
Plato as one of those present in the assembly. As Socrates is about to
die in Plato’s Crito, Socrates asks where young Plato is, and another
student says that Plato was sick and could not be there. Of course, in
both of these dialogues Socrates is a character and his words are
actually those of Plato himself. Scholars now are critical and wonder
if Plato merely had a habit of writing himself and his family into
Socrates’ circle. It is difficult to tell whether or not Plato’s older
cousin Critias or Plato himself were actual students of Socrates or
whether they were simply influenced by this figure who became quite
famous following his trial and death.
Plato’s
actual name was Aristocles, but according to the story his wrestling
instructor named him Platon or ‘Broad’ because he had a wide figure and
wrestling stance. Plato was known to have a wide and thus ‘broad’
breadth of knowledge covering all subjects of ancient thought and might
have acquired the nickname in this way. Plato’s father died when he was
young, and his stepfather became the Athenian ambassador to the Persian
royal court. Remember that Persia was a great source of ancient world
cosmology at the time, and Zoroastrianism, Persia’s solar monotheism,
would be a major influence on the Abrahamic religions just as Plato
himself would.
Long
after his attempts to become an established playwright, after his
dialogues about Socrates had gathered some fame, Plato founded his
Academy in 385 BCE, an open area near a sacred tree grove where he, his
students and other lecturers would teach and debate matters of
philosophy and cosmology. Academy in fact means ‘porch’ or ‘step’, an
open area in front of a building, a fact it took scholars long to
understand as they believed that the Academy must have been a building
itself. Scholars made a similar error looking for the famed Library of
Alexandria (an Egyptian center of ancient world cosmology, Platonism and
Christianity), when in fact the library was a shelf that ran along a
hall that connected two buildings, just as one would say a collection of
books is a personal library.
We
will first look at three of Plato’s early dialogues, the Apology,
Crito, and Meno. Next week we will look at some of Plato’s later
dialogues, the Symposium, Republic, Timaeus, and Parmenides. The early
dialogues will give us the best picture we have of the original Socrates
and his thought, and the later dialogues will show us Plato’s ideas.
The Apology
The
Apology is Plato’s account of Socrates’ speech he gave in his own
defense at his trial for impiety. Xenophon and many others had written
their own accounts of Socrates’ defense, though little of these other
accounts have survived. While our word ‘apology’ means an admission of
guilt and wrong, originally the word applied to any argument or
explanation of one’s actions, regardless of how right or wrong one
believed these actions to be. Socrates’ apology is not an “apology” the
way we use the term today, as he explains to the Athenian assembly why
he was not wrong but was doing a great service to Athens by forcing them
to examine their lives and beliefs critically.
After
Athens had become the rich center of the Delian League, infighting
between Athens and Sparta had led to numerous indecisive wars, leading
to the Peloponnesian war. Sparta, with the aid of Persia, defeated the
Athenians and their allies. Athens never recovered, losing its empire
of colonies and status as the most wealthy and powerful Greek
city-state. Many began to question Athenian democracy, which had
clearly been defeated by the more aristocratic and dictatorial Sparta.
Athenian democracy was quite oligarchical itself, with very few
Athenians qualifying as citizens. In modern times, European cultures
have often identified ‘the West’ with Athens and only rarely, such as in
Germany under the Nazis and recently in the movie ‘The 300’, have
identified ‘the West’ with Sparta. In Plato’s dialogues, Socrates is
critical of Athenian society and praises Sparta, who like Egypt he says
the Athenians should imitate in placing the excellent above others as
leaders. Egypt was known for its scholar priests, and Sparta its
warriors. Whether Socrates was an admirer of Sparta or merely critical
of Athens is difficult to tell, but it seems Plato did admire Sparta and
many Athenians would have seen Socrates’ criticism as dangerous given
Athen’s decline.
In
his rounds of Athens, searching like Diogenes for wisdom among the
Athenians and not finding much of it, Socrates had acquired followers,
many of whom were young and critical of Athenian society. These
students began, like Socrates, to question their elders as well as the
traditions and institutions in which the elders were involved. These
included both the homeric culture and the political organization of the
state. After this had increasingly annoyed the traditional and the
powerful for a good length of time, riots broke out that may or may not
have included some of Socrates’ students. These riots destroyed temples
and statues of the homeric gods. Blaming Socrates, the Athenian
assembly accused him of impiousness towards the gods, believing in new
gods, and leading the youth astray. These “new gods” were likely the
abstract ‘good’ that Socrates believed should be pursued, as well as the
daimon, spirit or conscience Socrates conversed with to seek the true
and the good.
As
the Apology begins, Socrates begins by saying that he knows nothing,
and knows that he knows nothing. Note that this is a good defense
against the charges of holding heretical views and leading others to
heretical views different from the traditional views, as Socrates does
not have particular views, nor does he know the traditional views are
false.
Socrates
says he is not a good speaker, unlike the great orators of Athens who
are good at swaying others to their own opinions, and asks the assembly
to judge him not by his skill with words but by the truth. This is, of
course, a rhetorical tactic similar to the infamous “Now, I’m just a
simple country lawyer” approach used on the TV show Matlock and in the
Saturday Night Live skit Unfrozen Caveman Lawyer, in which Phil Hartman
says, “Ladies and gentlemen of the jury, I’m just a caveman...Your world
frightens and confuses me...but what I DO know, is my client is
entitled to a large cash settlement”.
Whether
or not Socrates is using false modesty like these others, he argues
that modesty and the truth is the best and most convincing rhetoric. He
is also subtly insulting the assembly, a questionable move if he hopes
to be acquitted, as he has said the assembly knows nothing like himself
and they are easily convinced by orators who also know nothing but
believe themselves to know and sway the assembly to agree with them
without possessing truth. Socrates says that he has been accused of
being a mere sophist, a rhetorician who is skilled at making the false
appear true through argument (much as people today accuse lawyers of
doing), but this is not the case as the sophists are highly paid and
claim to know things and he is broke and knows nothing. He notes that
Aristophanes, who is not his enemy but has disagreed with him and mocked
him with his plays, has unfortunately led many to this view.
Socrates
says that he has been accused by several prominent Athenians who speak
for the politicians, craftspeople, poets, and orators, all of whom have
been angered by Socrates arguing that no one knows much of anything. He
argues with one accuser, Meletus (not Miletus, the city-state), who
Socrates says is simultaneously accusing him of atheism, of believing in
no gods, and believing in new gods, which can not both be the case.
Socrates
relates to the assembly the story of his friend Chaerephon going to the
Delphic Oracle and hearing that no one is wiser than Socrates, and that
this troubled him and drove him to question those who were said to be
wise. Notice that Socrates says the traditional oracle of Apollo is
what sent him on his mission, and that he later confirmed what the
oracle said was true, a good thing to do if one is accused of impiety
toward the traditional gods including Apollo. Socrates distances
himself from the views of Anaxagoras, who argued that the sun was a
flaming rock, and affirms the divinity of Apollo. He did initially
doubt the oracle, but later confirmed that it spoke the truth by going
on a divine mission to figure out what the oracle must have meant,
assuming it knew more than he did.
After
seeking out philosophers, politicians, poets and craftspeople, Socrates
came to the understanding that while each of these experts claimed to
know a great deal, questioning them showed that experts are much like
the pythias of the Delphic Oracle in saying things that they do not
themselves entirely understand. Socrates decided that he should
continue to question others as a spokesperson for the oracle, showing
others that the gods have the wisdom to know that human beings do not
know, but human beings themselves most often do not.
On
one hand, Socrates is putting himself in the company of the gods and
above others, possessing the wisdom that humans know nothing, but on the
other he puts himself in the company of humanity, saying that he
himself knows nothing. In terms of knowledge, Socrates is a mere
mortal. In terms of wisdom, Socrates argues for the view of the gods.
This is quite similar to Heraclitus, who said that our language sounds
like baby-talk to the cosmic powers, and the wisdom of the wisest man
sounds like the grunts and cries of an ape. Socrates, like Heraclitus,
suggests that even as a mortal ape, far beneath the cosmic powers, we
are indeed of striving for and achieving wisdom, even if this wisdom
will never rival that of the cosmos.
Socrates
tells the assembly that he does not fear death, only not living in
accord with the good. Mortals like himself do not know what death is,
and so there is no known reason to fear it. In the next dialogue we
will examine, the Crito, Socrates accepts his death and does not escape
his punishment like Anaxagoras who fled with the help of Pericles. He
argues that one should obey the law, just as one should obey the gods.
However, in the Apology, he tells the assembly that one should obey
one’s superiors, which means that one must follow the will of the gods
over the will of humanity, and so the assembly will have to convict him
if they wish to stop him from showing others that they do not know. He
says that as long as he draws breath, he will not stop practicing
philosophy. Aristotle wrote that one should never kill one’s father,
but among the Triballi tribal people the gods sometimes demand it, and
so the Triballi are right to kill their fathers. This is like Antigone
in reverse, who obeys the lower order of her family in defiance of the
law of the state.
Socrates
tells the Athenians that they are far more concerned with acquiring
wealth than wisdom, and that there is nothing better for Athens then his
taking up the role of the horsefly, the annoying pest that stings the
horse and forces it into action.
The
assembly votes, and Socrates is found guilty by a slight majority. The
assembly was said to be composed of about five hundred, and Socrates
says in response that only thirty votes would have changed the verdict,
making the tally about 280 voting guilty, 220 voting not guilty.
Instead of pleading for mercy before he is sentenced, Socrates suggests
to the assembly that he should be given free meals for life in the main
council building, an honor reserved for military heroes and champion
athletes. Diogenes Laertius claims that this angered the assembly, and
that more chose to vote for a death sentence than had initially voted
for Socrates’ guilt. Socrates tells both those who voted against him
and those who voted in his favor that he did the right thing even in the
face of death, which is the best that can be done. Socrates speculates
that death may very well bring freedom from all desires and
discomforts, and that he may be able to meet great souls such as Hesiod
and Homer, with whom he may continue to question and practice
philosophy.
The Crito
In
the Crito, which follows the Apology, Socrates is in prison awaiting
his execution, and he argues with his friend and follower Crito who
offers to bribe the guards and finance his escape. Unlike Anaxagoras,
who fled with the help of Pericles, Socrates refuses Crito’s help, and
argues that it is wrong to commit injustice even if it is for the
purpose of saving one’s life. As in the Apology, Socrates places the
good above avoiding death, being in accord with the cosmos above
clinging to mortal life. Socrates seems to believe that we participate
in a greater life other than our own, although he admits he does not
know this, and so slighting the greater life for the sake of the lesser
life is ignorance of the situation.
Crito
admires Socrates, engaging in dialogue with him. While the Apology is
almost entirely a monologue of Socrates’, the Crito is a genuine
dialogue. Interestingly, as can be seen in the text of the Apology, the
original texts do not contain breaks between speakers or identify the
speakers in the margin. Thankfully, scholars have worked to put Plato’s
dialogues in the format of a play with clear indicators of who is
speaking when.
Crito
tells Socrates that he is impressed by the peace and calmness Socrates
displays in the face of death, and Socrates replies that it is, of
course, not death which is to be feared but committing injustice. After
discussing a dream Socrates has, which he interprets as saying he will
die in three days, Crito tells Socrates that he can pay off the guards
and anyone who would get him in trouble for doing so, allowing Socrates
to escape his execution and join supporters in another city-state.
As
this line of argument does not sway Socrates, Crito asks how Socrates
can comply with the assembly, when they are clearly committing injustice
against him. If Socrates believes, as he argued in the Apology, that
he has been unjustly accused and should continue to do philosophy as the
Delphic Oracle desired, why does he refuse to escape? Is this not
committing injustice, to allow injustice to happen? Crito asks Socrates
to think of his children and of his friends, such that he realizes
greater justice can be done by preserving his life.
Socrates
replies that if he escaped, he would be violating the law, and that it
is the law that supports the city. By staying in Athens, he must follow
the law even as he disagrees with the verdict of the assembly. Because
he grew up in Athens and chose to raise his children there, it would be
an attack on the city that supported his life to disregard the law.
Ironically, this means that the city which gave him life is not wrong
but merely ignorant in condemning him to death. This “social contract
theory” of politics and the law is very similar to that of the British
philosopher Hobbes, who argued that the sovereign king has the right to
commit any injustice because he is the one who provides all justice.
Crito
suggests that the city would not mind if Socrates simply disappeared,
as long as he is out of Athens, whether by death or escape. Socrates
refuses to go, which suggests he wanted his death to be symbolic of the
ignorance of Athens and the wisdom that escapes him. Socrates has faith
that doing the right thing will have the best impact in the long term,
in response to Crito who argues that preserving his life would have a
greater effect. Socrates seems to have confidence that he has already
communicated his message, has shown the Athenians wisdom even if they
have rejected it, and so his execution would be more valuable than
continuing to teach and question others.
The Meno
Plato
wrote the Apology and the Crito very early, and later wrote many
dialogues between Socrates and prominent thinkers and figures of Athens.
Anachronistically, this means that the rest of Plato’s dialogues we
will study are supposed to have happened before Socrates’ trial and
death, accounts of the questioning of others which condemned him.
Socrates,
as shown in the Apology and Crito, is concerned with ‘the good’, also
called virtue, or ‘arete’ in the Greek. Meno, a rich student of the
sophist Gorgias, is visiting Athens and argues with Socrates about the
nature of goodness, claiming to know a great deal about the subject. Of
course, Socrates, true to form, shows Meno that he is quite unclear on
the subject. Meno begins by asking Socrates if virtue can be taught.
Socrates replies that they should clarify what they mean by ‘virtue’,
and Meno says that his teacher, Gorgias, has argued that virtue is
different for different people. For adult men, virtue is staying alive
while helping friends and harming enemies. In Plato’s Republic, this
position is again taken up by Thrasymachus. For women, children and
slaves, it is virtuous to be obedient.
Socrates
disagrees, and argues that virtue must be one and the same for all,
regardless of age, gender or position. Justice, which includes
self-control, is virtuous for all people. Meno, who has brought many
slaves with him to Athens, suggests to Socrates that virtue is the
ability to teach and lead others, but Socrates disagrees, as slaves and
children do not lead others and so this would not be a virtue common to
all, and so could not be virtue itself.
While
Socrates, in this early dialogue of Plato, does not say what virtue is,
he says that it must be one and not many, common to all even if
practiced in particular ways by particular people. Meno, befuddled,
compares Socrates to a stingray, a fish that stuns its victims.
Socrates replies that unlike a stingray, he is stunned himself. In the
Republic, a later dialogue in which Plato begins putting forward his
own ideas, Socrates proceeds to construct the form of the good with the
help of others. In the Meno, Socrates suggests that while the
definition of good may be beyond us, we can be lead to do good if we
seek it out.
Meno
argues that it is impossible to search for something if we do not know
what we are searching for. Socrates tells Meno that according to some
priests and poets, human souls are immortal and have been reincarnated
again and again over the ages. While the souls forget what they know
each time they are reborn, they in fact are merely ignorant of what they
know, concealing it from themselves, and so what humans call ‘learning’
is in fact recollection, ‘anamnesis’ in the Greek. This is how we can
seek out the good without knowing what it is, because we are merely
ignorant of the fact that we recognize it on seeing it, having known it
from before.
There
is a story told by early Indian Buddhists of a king who sews his wealth
into his coat and then gets drunk, forgetting he is a king and living
as a beggar, not realizing that he still carries his riches with him.
There are also similar beliefs held by gnostic Christians.
Meno
asks for a demonstration, and Socrates asks him to pick out one of his
slaves. Meno picks a Greek slave boy, and calls him forward. Socrates,
in the most famous part of the dialogue, leads the boy through a proof
of geometry in spite of the boy’s having no formal mathematical
education. Socrates draws a square on the floor in the sand, the way
geometry was done in ancient Greece, and asks the boy how long a line
would have to be to be the side of a square twice as large as the square
on the floor. The boy guesses incorrectly, guessing that a line twice
as long would work but this is far too much. At each point, while
Socrates leads the boy through the proof, he asks the boy a question at
every turn, showing that it is the boy himself who is making each
judgement, not Socrates himself telling the boy what is true.
Socrates
constructs a square of four squares, each the size of the original
square, and leads the boy by questions to see that if the four squares
are bisected with diagonal lines, one can construct a square in the
center which is four halves of the original square, twice the area of
the original, and so it is the length of the diagonal which gives us the
length of the side we sought. Socrates believes that the ability of
the slave boy to make each judgement correctly on his own is evidence
that we do know all things and come to recognize what we have concealed
from ourselves when we see it again.
In
the Apology, Socrates argued that we think we know, but don’t know that
we don’t know. Now, in the Meno, Socrates argues that we do know, but
don’t know that we know. How are these two to be reconciled? Socrates
is drawing a contrast between false human knowledge and the true
knowledge of the cosmos which can lead us through intuition to the good
just as Socrates leads the slave boy through geometric proofs. Our
mortality, our limitation as human beings, conceals from us what we
truly are, which we recognize even as it is beyond us.
Meno
is convinced by Socrates’ demonstration that he is right, to which
Socrates characteristically replies that he does not know whether he is
wholly right about the matter or not, but that he will continue to
believe that we can strive for what is good beyond ourselves. This is
quite similar to Anaxagoras, who compared our human minds to beasts, who
are lead in the right direction by the great cosmic mind.