From now on, I will be posting everything on my new website: ericgerlach.com
You can find all of the class lectures, as well as prompts for essays and reviews, on the site by choosing Lectures, and then your particular class.
Notes for teaching Ancient and Modern Philosophy, Logic, Ethics, Political Theory and World Religions at Berkeley City College.
Showing posts with label Asian Philosophy. Show all posts
Showing posts with label Asian Philosophy. Show all posts
Tuesday, October 22, 2013
Wednesday, October 2, 2013
Asian Philosophy: New Website
Hey, good philosophy people,
I have been working on a new website which will provide my lecture notes as well as short videos about philosophical concepts from the history of human thought. I will still be posting each week's lecture notes on this blog, but you can also go here to get all of the lecture notes for the Asian Philosophy class:
http://ericgerlach.com/asianphilosophy/
I will be adding illustrations, both diagrams and images, to the notes in the coming weeks.
I have been working on a new website which will provide my lecture notes as well as short videos about philosophical concepts from the history of human thought. I will still be posting each week's lecture notes on this blog, but you can also go here to get all of the lecture notes for the Asian Philosophy class:
http://ericgerlach.com/asianphilosophy/
I will be adding illustrations, both diagrams and images, to the notes in the coming weeks.
Sunday, September 29, 2013
Asian Philosophy: Midterm Review
So far, we have studied Hinduism, Jainism and Buddhism in the class. The midterm will have three types of questions testing your knowledge of the material from the readings and lectures. First, there will be multiple choice questions. Second, there will be fill-in-the-blank questions. Third, there will be short answer questions. The first two types of questions are straight forward. Choose the answer or fill in the blank as best as you can. For the short answer questions, you will be given a list of concepts we have studied (such as the Jain leaky boat, the Upanishads’ ‘Tat Tvam Asi’, the Buddhist metaphor of the monkey mind, etc, in bold below) from which you must select four and write a comprehensive third to a half page explanation for each you select. You should demonstrate that you understand the meaning of the concept, that you can connect it to other material from the class, and that you can apply it to examples from your own experience or outside material (print or video, fictional or nonfictional). If you demonstrate each of these three things and complete the required page length, you will get full points for your answer.
Hinduism (Vedas, Upanishads, Epics & Orthodox Schools)
Hinduism a rich diversity of traditions and schools, Vedas lead to Upanishads that lead to Vedanta, many gods/one god/monism, Brahma vs. Brahman, Six orthodox schools & three unorthodox schools rise in the golden age of Indian thought after the Upanishads, three paths of worship & devotion (Bhakti, Raja & Jnana yoga), Bhakti Shaivism & Vaishnavism, Vishnu as preserver/savior & Shiva as destroyer/transformer, darshana as seeing/being seen, intermediate goal of better rebirth and ultimate goal of moksha/nirvana, additional goals of dharma, kama & artha (discipline, pleasure & comfort), wootz and mathematical concepts of zero, variable & infinite series important to algebra, knowing the self (atmavidya), self vs. no-self (atman & anatman), Vedic passages questioning the gods, Does Indra exist, purchase Indra for modest price, boneless One, frogs like priests, Upanishads (‘sitting down beside’) use Vedas as metaphors about the self & cosmos, Tat Tvam Asi (That Is You), essence mudra, appeal beyond the caste system, beyond knowledge & non-knowledge, becoming as destruction, Jabala’s fig seed & salt water, Ramayana, Mahabharata & Arjuna’s duty, Maya as illusion/trickster/demon, Vedanta schools of Shamkara vs. Ramanuja (monism vs. theism), Vaisheshika school of Kanada & atomism, general/particular/inherence, fire as energy, sound as impermanent, water cycle & inertia, Nyaya school of Gautama, debates & proofs
The Unorthodox Schools of Indian Thought (Charvaka & Jainism)
Charvaka skepticism & materialism, gods, afterlife & all inference as illusion, comparison with Wittgenstein’s ‘facts, not things’, consciousness as fermentation of alcohol, Jainism as relative of Buddhism, two Jain principles of skepticism (non-one-endedness & truth is hypothetical), seven points of view (describable & indescribable), absolute vs. relative truth debate, pot as being/non-being, teaching & discipline in spite of relativism, cycles of the cosmos (kalpas), Tirthankaras, karma as bondage & bad, Jain leaky boat, radical non-violence & vegetarianism
Buddhism (India, Tibet, China & Japan)
Life of the Buddha, the four sights (sick, old, dead, holy), period of austere Jain-like practice, balance over self-hate/annihilation, Buddha vs. Budai the laughing monk, four noble truths, eightfold path, five abilities (wisdom highest), the middle way, impermanence, monkey mind, codependent arising, emptiness as openness/compassion, dueling mudras, meditation practices, Theravada (“Hinayana”) vs. Mahayana, three vows, three ways of being involved in the sangha, popular movement of Mahayana, naga princess story, Buddha nature (from seed to reality), bodhisattvas & vow, superiority to arhats, completion of wisdom sutras, questioning Subhuti to demonstrate understanding transmission, Buddhist logic, dominant causes vs. essences, study, reflection & meditation, Nagarjuna & the Madhyamaka school vs. Yogachara school, the catuskoti
Tibetan culture transformed by Buddhism, Indian sutras & Nagarjuna kept, demons & profane/sacred images, Chinese Zen controversy, celebrity debaters, Book of the Dead, Chinese Han weakening as Buddhism gaining a foothold, Daoism appeal, Chinese concrete vs. Indian abstract, issue with monastery vs. traditional family, Pure Land practice, Shinran & Jodoshinshu, gradual vs. sudden enlightenment, Neo-Confucian use of Buddhist teachings, modern Chinese interpretations, Nishida Kitaro
Zen sitting, unorthodox methods, Buddha holds up a lotus, Bodhidharma vs. Emperor Wu, Hui Neng’s verses, flag, wind & minds moving, Joshu’s dog, Gutei’s finger, Nansen, Joshu & the cat, Joshu’s avoid picking & choosing, compulsive passions are Buddha, tale of old woman burning down the hut, girl in the kimono, samurai & the gates of hell, Basho’s frog
Asian Philosophy: Second Paper Prompt & Topics
For each of the four response papers, you must write at least three typed and double spaced pages on a topic of your choice that concerns the material we have covered in the class so far. Do not spend time summarizing the material, but rather focus on your own thoughts and questions. You are welcome to use your own life experiences as well as fictional and nonfictional material from outside class.
The second paper for the class is due on the day of the midterm, October 11th.
While you are welcome to reflect on anything you have found interesting, the following are possible topics for your response.
The close and closed community (Theravada) vs. the open and common community (Mahayana)
Sudden vs. gradual enlightenment, knowledge and ability
Emptiness/Openness as compassionate or nihilistic
Absolute vs. relative truth as superior or complementary
Asian Philosophy: Zen & the Koan Collections
Bodhidharma & the Birth of Zen
Because the Chan (Chinese) or Son (Korean) or Zen (Japanese) school continued to thrive in Japan, I will consistently use the Japanese names and terms in this lecture, even though Zen started as Chan in China. Zen means ‘sitting’, and the school concentrates not on the chanting of sutras or the support of deities but on meditation and study. It is known for using radical and unorthodox means, such as shouting, slapping, joking, and any other way of breaking through rigid understandings to achieve insight and enlightenment.
In Zen, we can see a mix of Indian abstract psychology with Chinese concrete analogy as we discussed last week. In particular, Zen is heavily influenced by Daoism and uses its teachings and metaphors regularly. Unlike Pure Land Buddhism and other schools of the Mahayana tradition, Zen originated in China and had no precedent in India according to modern scholarship. The Zen tradition, however, traces an unbroken chain of an “inexpressible transmission, outside the sutras” all the way back to the Buddha himself. It is considered the first koan, the first case, It serves not only as a historical record of the lineage but as an object of study for students. It appears in many koan collections, including The Gateless Gate, the most popular collection.
Once the Buddha came before the assembly to lecture, but instead of speaking held up a lotus flower. Everyone was silent, but Mahakashapa smiled. The Buddha said, “I have the eye of the true teaching, not expressible in words, but transmitted beyond teaching. I have given it to Mahakashapa.
According to the tradition, after Mahakashapa there were twenty six patriarchs who received the inexpressible transmission before Bodhidharma left India and traveled to China to spread the inexpressible there. Though this makes him the twenty eighth patriarch, he is called the fist patriarch of the Chinese tradition. In fact, it is quite likely that he was the first and the twenty six were invented after the tradition spread to link his own focus on sitting meditation to the original Buddha. In much of what follows, we will learn from the tradition as taught while remaining aware that modern scholarship has called much of the historical accuracy of each event into question today.
Bodhidharma came to southern China and is said to have arrived at the palace to speak with Emperor Wu, a great patron of Pure Land and other schools of Buddhism.
The emperor asked Bodhidharma, “I have built many temples, copied many books, and supported many monasteries of monks and nuns. What merit have I gained?”
Bodhidharma replied, “None whatsoever. These things are shadows. Real merit is wisdom.”
The emperor, taken aback, asked, “What is the principle of the sacred dharma?”
Bodhidharma replied, “Everything is empty. Nothing is sacred.”
The emperor, enraged, asked, “Who is this who stands before me?”
Bodhidharma replied, “I do not know”, and left the palace.
Bodhidharma is said to have practiced wall-sitting, staring at a wall while meditating, which he did in caves and at the Shaolin monastery where he is also said to have started Kung Fu as a set of physical exercises for the monks there. Shaolin is known today to have been a Daoist god who became a Buddhist goddess, and it could be that Kung Fu is derived from earlier Daoist Tai Chi exercises, which may have been influenced by Indian yogic postures.
After Bodhidharma, Hui Neng (638 - 713 CE), the sixth patriarch, is the most revered in the tradition. He was an illiterate wood cutter from Canton who became enlightened on hearing a passage from the Diamond sutra and decided to join a monastery. Hongren, the fifth patriarch and master of the monastery told him that he was a southern barbarian, and could not expect to achieve buddhahood. Hui Neng replied that north and south make no difference with regard to buddha-nature, and the master accepted him. Hui Neng was ridiculed by other monks, but he continued to practice and achieve understanding. When the time came for Hongren to appoint a successor, he asked that monks write a verse to show what understanding of Zen they had achieved. The head monk, who was expected to become the successor, wrote:
The body is the Bodhi Tree
The mind is a clear mirror on a stand
Take care to wipe it continuously
Never letting dust cling
Late at night, Hui Neng had a boy read the verse to him and write the following reply:
There is no Bodhi Tree
Nor is there a stand with a mirror
All things are originally empty
Where can the dust cling?
According to the tradition, Hongren gave the lineage to Hui Neng, who went on to found the Southern School, the school that survived to become the tradition today. Modern scholarship has revealed that Hui Neng founded the school, but he may never have known Hongren. Hui Neng is said to have taught:
No permanence, no impermanence
No arrival, no departure
No exterior, no interior
No origination, no extinction
Another famous even in Hui Neng’s story that is found as a koan for study in The Gateless Gate:
Two monks were arguing about a flag as Hui Neng was passing by. One monk was argued that the flag was moving, while the other argued that the wind was moving.
Hui Neng replied, “It is your minds that are moving.”
Koans of The Gateless Gate
The Gateless Gate (Mumonkan in Japanese) was compiled by Wumen in 1228 for teaching at a monastic retreat. He claims that the collection, including the title, were thrown together without much thought. Along with The Blue Cliff Record, it is the most popular collection of koans in the tradition for hundreds of years. It contains many of the central moments of Zen.
A monk asked Joshu, “Does a dog have Buddha-nature or not?”
Joshu replied, “Not” (mu, ‘empty’ or ‘non-being’)
Gutei raised one finger whenever asked about Zen. A boy began imitating him, and when anyone would ask him about Gutei’s teaching he would raise one finger. Gutei saw him doing this, and cut off the boy’s finger. As the boy ran off screaming, Gutei called out to him. When the boy turned around, Gutei raised one finger, and the boy was enlightened.
Kyogen said, “Zen is like a man hanging in a tree by his teeth, asked ‘Why did Bodhidharma come to China from India?’ If the man does not answer, he fails, and if he does answer, he falls and loses his life. Now what shall he do?”
Joshu went to see a monk and asked him, “What is, is what?” The monk raised his fist.
Joshu replied, “Ships cannot remain where the water is too shallow” and left.
A few days later Joshu returned and asked him the same question. The monk raised a fist.
Joshu said, “Well given, well taken, well killed, well saved” and bowed to the monk.
Zuigan would say to himself every day, “Master”, and answer, “Yes, sir””
“Become Sober”, “Yes Sir”, “And do not be deceived by others”, “Yes, sir. Yes sir.”
When Joshu was still studying with Nansen (Nanquan), Nansen saw the monks of the eastern and western halls fighting over a cat.
He took the cat and said, “If any of you can say a turning word, you can save the cat.”
No one answered, and Nansen cut the cat in two. Later Joshu returned to the monastery and Nansen told him about it. Joshu removed his sandals, placed them on his head, and walked out.
Nansen said, “If he had only been here, he could have saved the cat.”
Hyakujo decided to test the assembly and put a water vase on the ground.
He asked, “Who can say what this is without calling its name?”
The chief monk said, “No one can call it a wooden shoe.”
Isan, the cook, kicked over the vase and walked out.
Hyakujo smiled and said, “The chief monk loses.”
A monk asked Kembo, “All Buddhas of the universe enter by one road. Where is it?”
Kembo drew the number one in the air and replied, “Here it is.”
The monk went to Ummon and asked the same question. Ummon said, “This fan will reach to the 33rd heaven and hit the nose of the presiding deity there.”
Koans from The Blue Cliff Record
The Blue Cliff Record was compiled in the Song Dynasty in 1125 CE. It is the second most popular koan collection after The Gateless Gate, containing 100 koans, 82 of which were taken from the earlier koan collection, The Transmission of the Lamp. It has extensive commentaries written by generation after generation of Zen roshi (masters). The commentary is always amusing, as whenever someone seems to win, the commentary calls him the loser, as if to keep the student from ever settling down in conceptions.
Joshu said to the assembly, “The ultimate way is without difficulty. Just avoid picking and choosing. As soon as there are words spoken, ‘this is picking and choosing’, ‘this is clarity’. This old monk does not abide in clarity. Do you still preserve anything or not?”
A monk asked, “Since you do not abide within clarity, what do you preserve?”
Joshu replied, “I don’t know either.”
The monk asked, “Since you don’t know, why do you say that you do not abide in clarity?”
Joshu said, “It is enough to ask about the matter. Bow and withdraw.”
A monk asked, “What is the meaning of the patriarch coming from the West?”
Hsiang Lin said, “Sitting for a long time becomes tiresome.”
The hermit of Lotus Flower Peak held up his staff before the assembly and said, “When the ancients got here, why didn’t they agree to stay here?”
No one answered, so he replied, “Because they gained no strength on the path.”
He then asked, “In the end, how is it?”
No one answered, so he replied, “With my staff accross my shoulders, I pay no heed to people. I go straight into the endless mountains.”
A monk asked, “The many things return to the one. Where does the one return to?”
Joshu said, When I was in the state of Chou, I made a hempen shirt. It weighed 7 pounds.”
The Recorded Sayings of Zen Master Joshu
Zhaozhou (778 - 897 CE), Joshu in Japanese, is my favorite Zen master of ancient China and the koan tradition. He trained with Nanquan (709 - 788 CE), and both appear in prominent positions in the Gateless Gate and Blue Cliff Record koan collections. The famous koan about Nanquan killing the cat with Joshu walking out was one of the most discussed koans in monasteries of China and Japan. In the Gateless Gate, Joshu’s famous koan about the dog’s buddha nature is the first koan of the collection and he is featured in five of the 48 of the collection. Joshu’s koan about “not picking and choosing” is the second case of the Blue Cliff Record. He is not in the official line from patriarch to patriarch, but he is one of the most famous Zen masters of the tradition in spite of this.
Joshu is a trickster, and it is debated whether he was inspired by Daoist sages. Many of his koan cases sound like jokes. In two he seems to say sexually suggestive things to nuns. He sometimes bursts out laughing as his final response to monk’s questions. His koan collection is by far one of the most entertaining to read.
A monk asked, “What is the Buddha’s true experience of reality?”
The master said, “Is there anything else you don’t like?”
A monk asked, “What is Joshu’s master?”
The master shouted, “You hooped barrel!”
The monk answered, “Yes?”
The master said, “Well done, hooped barrel.”
A monk asked, “What is an imbecile?”
The master said, “I’m not as good as you.”
The monk said, “I’m not trying to be anything.”
The master said, “Why are you being an imbecile?”
A monk asked, “How can you not lead the multitudes of the world astray?”
The master stuck out his foot.
The monk took off one of the master’s sandals.
The master brought back his foot.
The monk could say nothing more.
A monk asked, “What is that which is spiritual?”
The master said, “A puddle of piss in the Pure Land.”
The monk said, “I ask you to reveal it to me.”
The master said, “Don’t tempt me.”
A monk asked, “‘The Great Way has no root’, how can it be expressed?”
The master said, “You just expressed it.”
The monk said, “What about ‘no root’?”
The master said, “There is no root. Where is it that you are being bound up?”
A monk asked, “The solitary moon is in the sky. From where does its light emanate?”
The master said, “From where does the moon emanate?”
The master said, “I can make one blade of grass a sixteen foot golden Buddha, and I can make a sixteen foot gold Buddha into one blade of grass. Buddha is compulsive passions. Compulsive passions are Buddha.”
A monk asked, “For the sake of whom does Buddha become compulsive passions?”
The master said, “For the sake of all people Buddha becomes compulsive passions.”
The monk asked, “How can they be escaped?”
The master said, “What’s the use of escaping?”
A monk asked, “What about it when the three-pronged sword has not yet fallen?”
The master said, “Densely packed together.”
The monk asked, “What about after it has fallen?”
The master said, “Wide open spaces.”
A monk asked, “What is the fact that I accept responsibility for?”
The master said, “To the ends of time you’ll never single it out.”
A monk asked, “I have just come here and know nothing. What are my duties?”
The master said, “What is your name?”
The monk said, “Hui-han.”
The master said, “A fine ‘knowing nothing’ that is.”
A monk asked, “It’s not yet clear to me, who is the patriarch of this land?”
The master said, “Bodhidharma has come, so here we are all patriarchs.”
The monk said, “What number generation are you?” (What position in the Zen lineage?)
The master said, “I do not fall into any position.”
The monk said, “Where are you?”
The master said, “Inside your ears.”
Doctor Ts’ui asked, “Does an accomplished person go to hell or not?”
The master said, “I entered at the head of the line.”
The doctor asked, “You are an accomplished person. Why do you go to hell?”
The master said, “If I had not gone, how could I have met you?”
A monk asked, “The second patriarch cut off his arm, what sort of act is that?”
The master said, “He was throwing his whole self into it.”
A monk asked, “What is the perfect question?”
The master said, “Wrong!”
A monk asked, “What are honest words?”
The master said, “Your mother is ugly.”
A monk asked, “Two mirrors are facing each other. Which is the clearest?”
The master said, “Your eyelids hang over Mount Sumaru.”
A monk said, “I don’t have a special question. Please don’t give a special reply.”
The master said, “How extraordinary.”
A monk asked, “What is the unending depth of the deep?”
The master said, “Your questioning me is the unending depth of the deep.”
Hoju asked Koteiko, “Aren’t you Koteiko?”
Koteiko said, “You’re too kind.”
Hoju asked, “Can you nail up the sky or not?”
Koteiko said, “Please try to nail up the sky.”
Hoju slapped him and said, “After this some jabbering scholar will explain this for you.”
Koteiko told the master about this. The master said, “Why did you make him hit you?”
The master and an official were walking the the garden and saw a rabbit run away.
The official said, “You are a great and accomplished person. Why did the rabbit run away?”
The master said, “Because I like to kill.”
The master found the two sages Kanzan and Jittoju on Mount T’ien-tai.
The master said, “For a long time I have heard about Kanzan and Jittoju, but having come here I just see two water buffalo.”
The sages put their fingers on their heads like horns.
The master said, “Shoo! Shoo!”
The sages gnashed their teeth and glared at each other.
When asked about this later, the master laughed heartily.
The master came to Po-chang’s monastery. Po-chang asked, “Where have you come from?”
The master said, “From Nansen.”
Po-chang asked, “What has Nansen been saying to instruct people?”
The master said, “One time he said, ‘One with no attainment should be strict and solemn.”
Po-chang scoffed at this, and the master looked startled.
Po-chang said, “That’s a fine ‘strict and solemn.”
The master did a little dance and left.
Tales from Zen Flesh, Zen Bones
This book, compiled by Paul Reps, was one of the first I encountered in grade school. After reading some of these stories, I knew that there was something extraordinary in Zen. He has collected some of the most striking stories from over 700 years of the tradition.
An old woman in China had supported a monk in a hut in her yard for over twenty years. She decided to test his progress. She told a young girl to embrace and caress him. When she did, the monk replied, “An old tree grows on a cold rock in winter. Nowhere is there any warmth.” When she heard this, the woman was outraged that, while he had done nothing passionate, he had done nothing compassionate towards the girl either, and she promptly burned down the hut.
Notice that an old woman trumps a monk in this story, and that if there is no warmth anywhere then the monk must not mind if his hut is on fire.
Two monks were traveling in the rain down a muddy town road. Around a bend, they found a beautiful girl in a kimono unable to cross. One offered his help, picked her up and carried her over the mud. After the monks had reached an inn later, the second turned to him and scolded him for dangerously becoming involved with the girl, and the first replied, “I left the girl back there. Why are you still carrying her with you?”
Mokusen was approached by a villager who was upset with the stinginess of his wife. Mokusen visited her, clenched his hand in a fist and asked her, “What if my hand were always like that?” She replied that it would be deformed. Then he stretched out his open hand and asked the same question again, and she replied again that it would be deformed. Mokusen nodded and left.
One night Shichiri was meditating when a thief broke in and demanded money. Shichiri replied that the money was in the drawer and he was not to be disturbed. As the thief was taking the money, Shichiri asked that some be left, as he had taxes to pay. As the thief went to leave, Shichiri added that he should be thanked for the gift. Later, after the thief was caught, Shichiri told the officials, “This man is no thief. I gave him the money and he thanked me.” After getting out of prison, the thief became Shichiri’s student.
A samurai came to Hakuin and asked whether there was in fact a heaven or a hell. Hakuin replied that the man was as ugly as a beggar, and when the soldier raised his sword to kill Hakuin, Hakuin said, “Here open the gates of hell.” The samurai understood, and put his sword away. Hakuin said, “Here open the gates of paradise.”
Hogen was visited by traveling monks who were arguing about subjectivity and objectivity. He asked them about a large stone in the yard, and whether it was inside or outside the mind. One said that from a Buddhist viewpoint the stone was inside the mind. Hogen replied that his head must be very heavy to carry around a stone like that around in his mind.
Sengai was asked to write calligraphy for the prosperity of a rich man’s family. On a large sheet of paper, he wrote, “Father dies, son dies, grandson dies.” The rich man became angry, but Sengai explained that if each generation passes away in the proper order, it would be the happiest course for the entire family.
Basho, Master of Haiku
Basho (1644 - 1694 CE) was not a Zen monk, but he did practice Zen meditation and Zen influenced his haiku poetry. He is revered as the greatest haiku master, and many of his poems reflect the natural simplicity of the Japanese Zen tradition. His most famous poem, the first below, reflects this well, as well as the others that follow.
The old pond
A frog jumps in
The splash of the water
In the morning dew
Dirtied, cool
A muddy melon
A day when Mount Fuji
Is obscured by rain
How interesting
The glory of the dawn
This too cannot be
my friend
Let my name
Be traveler
First rains
You are the butterfly
And I the dreaming heart
Of Zhuangzi
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