The Final Exam will cover the material from the second half of the course: Islam, Europe, Descartes, Hume, Hegel, Nietzsche, and Wittgenstein. You may use material from Lewis Carroll, Humor or Art for your essay, but they will not be on the test.
The test will be 15 multiple choice questions (2 points each), 3 short answer questions (10 points each) and an essay (40 points). For each short answer you must write a paragraph explaining a key concept we covered. For the essay you must take two of the thinkers we covered and in two to three pages compare them and argue which one (if either) you support. You may use thinkers for the essay that you cover in the short answers, but do not waste space writing explanations of their key concepts twice. If you have another sort of essay you would like to write, please check with me first and I will likely let you write it.
Islam:
Rise of Islam, systems of scholarship, technology, cryptanalysis (pulling out the essential factors), philosophy and science, Avicenna’s Floating Man thought experiment (and Descartes’ Demon), Sufis and the Blind Men & Elephant.
Descartes:
Descartes deceiving demon, proof of self-consciousness, trustworthy God, world and rational facts (2 + 3 = 5), radical dualism of mind and body, intention and mechanics, animals as bodies without minds that cannot think or feel like machines or robots
Hume:
2 types of perceptions: Impressions vs. Ideas, Ideas always come from Impressions, 2 billiard balls and causation as an idea, not an impression, prejudice, assumption, association, and belief (Indian skandas), no ‘true’ facts, just events that are consistent with belief, Induction and Deduction both based on the leap of assumption.
Hegel:
Historical explanation, picture of history (“Orientals”, Greeks, Germans), Master-Slave dialectic and the constant revolution/evolution of history, Dialectic (positive, negative, synthesis as the next positive), Dialectical logic and contradictions as the tensions that structure things and movements, Dogmatism vs. Skepticism in the mind and in history.
Nietzsche:
German pessimism, turn from Reason to Will as central to world, Opposites work together: truth works with false, reason works with emotion, The True is the Beautiful, Truth and Reason are a drive that work to deceive us, Deception and falsehood are necessary to life and creation, Language, Grammar and Logic as deceptive, not trustable, Creative Individuality over all equalizing, Zarathustra as first dualist, thus first to see the whole beyond dualism.
Wittgenstein:
Language Games and Forms of Life (rule structured when things go wrong), Logic lives in the world, not hidden in logical crystal structures within, Against reduction to a single factor (psychoanalysis and reducing a human to ash), Material metaphors for the mental (toolbox, brake lever, train cabin, sign post), The ‘one-thread’ is in fact the chord of many threads together, Meanings and definitions are simply everyday use, not hidden within this.
Thursday, December 9, 2010
Logic: Final Exam Review
The Final Exam will cover the material we studied for the second half of the course (Islam, Hegel, Modern Logic, Early and Late Wittgenstein, truth tables and fallacies).
There will be 10 multiple choice questions (1 point each) taken from the lectures and 18 short answer questions (5 points each) largely taken from the weekly assignments (primarily the truth tables and fallacies).
Islam:
Islam as a civilization gave European civilization very much (Math, Logic, trade, technologies) but this is quite underappreciated. Cryptography, algebraic code-breaking, is a key culture related to scientific analysis. Avicenna says that universals are mental conceptions and individual beings are primary existents, while Averroes says that universals are the true essences of things and primary over individuals.
Hegel:
Hegel’s major advancement was historical explanation, explaining the structures of things as arising by process over time and not immediately by type. Hegel’s dialectic is a three stage process as positive, negative and synthesis. First, when the individual or history has an idea, there is an initial stage of positing that stands for the idea and completely opposes skepticism. Second, there is the stage of negation, skepticism and doubting the idea that is completely opposed to the first stage. Third and finally, there is a synthesis between the two positions that becomes the positive for the next cycle.
In Hegel’s Logic, he attempts to trace the entire path of consciousness up through modernity.
Russell & Mill:
Like Gautama (Nyaya Sutra), Aristotle and Averroes, Russell says we must use induction to come up with necessary and basic principles from which we can then deduce certain knowledge. Otherwise, we only have mere opinion. With Frege, Russell believed that there was a inner truth structure hidden within grammatical propositions and mathematics that could be brought out by analysis. Russell at first believed Wittgenstein would complete this project for him and give mathematics a fully clarified foundation, but Wittgenstein eventually abandoned the project to become quite like Mill. Mill, the one to whom Russell was most opposed, believed that the meaning of a thing is its use or positioning in situations. A thing does not have an essence besides its use in its situation. Wittgenstein came to embrace this view in his later thought.
Early Wittgenstein and the Tractatus:
Reality consists of atomic facts, states of affairs that are true. Thought, expressed grammatically in language, ‘pictures’ the world, thus these facts. These facts must be composed of several tautological structures (p, not, and, or) that in themselves say nothing at all. If a statement is meaningful, it must be possible and contingent, but neither certain nor impossible. Logical structures deal with the certain and impossible, but all propositions they construct are contingent on the situation of the world. Wittgenstein introduced Truth Tables in his Tractatus. We use them to demonstrate tautologies or equivalencies between truth value equations.
Late Wittgenstein and the Philosophical Investigations:
In his later thought, Wittgenstein believed that the meaning of a thing consisted in its use in language games or forms of life. He used many thought experiments to demonstrate that meaning is not contained in mental states or in rules of the world exclusively, but rather in the use of the things (involving both the head and the world inseparably). His metaphors include converting someone to ash in an oven, names as signposts and labels, the game of catch that arises between people in a field, rules as controls in a train cabin, and the child at the blackboard (rules leading to an infinite regress). Wittgenstein argued that we should give complex descriptions of things and resist the urge to essentialize things to a single factor or set of rules.
Truth Tables and Tautologies:
For Truth Tables, we assume BOTH the principle of Non Contradiction (p cannot be both true and false), and the principle of the Excluded Middle (p must be either True or False).
If p is true, then it has T as its truth value. If it is false, it has F as its truth value. We first used truth tables to determine the truth values for propositions. We next used truth tables to prove tautologies, equivalent statements that can then be used in substitution for one another. You know you have proved a tautology right when you have all T’s as the result. In addition, you will be asked to prove that certain functions are NOT tautologies, which simply means you should NOT get 4 T’s as the result.
Fallacies:
Appeal to Authority: Ex: ‘The police chief said that those people are evil’.
Ex: ‘If you brush with whatever toothpaste, 9 out of 10 scientists we gathered into a list to look just that way think you are awesome’.
Straw Man: The ‘Straw Man’ refers to setting up a scarecrow as a fake person. One essentializes the opponent’s position in a bad way, setting up their argument or position in a way that makes it easy to knock down. This is one of the most common fallacies that people accuse each other of doing: ‘My opponent is misrepresenting my position on the issues’. If you pull particular details or properties out of an opponent’s argument to knock it down, it can lead to over-essentializing and simplifying the position to the degree that your opponent will claim that you are not adequately representing their position on the issue.
Slippery Slope: One takes a consequence of the opponent’s position and blows it out of proportion. Example: ‘Well, if you legalize drugs people will try them, see there is no consequences, and then everyone will be doing them and civilization will collapse’.
This person took the consequence of some new users and it slides all the way down the slippery slope of over-simplifying judgment to everyone becoming an addict. Another Example: ‘If you want to legalize homosexuality, then you want to legalize all sexual conduct, including pedophilia. Thus you must be evil and wrong.’
Appeal to Emotion: Many types- one for every sort of emotion or desired goal.
Advertising, of course, appeals to desires for success, for happiness, for respect and status, appealing to both the desire for the positive and fear of the negative.
Appeal to Force: Ex: If you don’t believe me, Islamic extremists will eat your baby.
Ex: If you are wrong about this, everything will unravel and society will collapse.
Appeal to Pity: Ex: ‘If we don’t do it like I say, small children will cry’.
Ex: ‘This particular country has been poor for hundreds of years, so we should totally sell them a bunch of weapons to make them feel better about themselves’.
Appeal to Ignorance: There are things about X we don’t know, so we should assume Y.
Ex: Bush head of AAS on global warming as ‘just a theory’
Red Herring: Also ‘Missing the point’, taking the argument after an issue that does not decide the original issue being argued. One type of Red Herring, certainly the most popular is the Personal Attack.
Personal Attack: When one attacks the opponent and not the opponent’s argument. This also applies to attacking the way the opponent always argues but not the argument itself. Ex: ‘You can not believe a word my opponent says, because she/he is a communist/Mormon/atheist/aquatic fowl etc.’
Fallacy of Composition and Fallacy of Division:
Wrongly attributing property of part to whole, and whole to part.
These are interlaced with the fallacies so far.
Ex of Fallacy of Composition: If water is wet, and water is 3/5ths the human, then the human being is essentially wet. If San Francisco and LA are very liberal, then California is very liberal.
Ex of Fallacy of Division: If water is wet, and water is H2O, then Hydrogen must be wet. If California is very liberal, then Fresno must be rocking liberal.
There will be 10 multiple choice questions (1 point each) taken from the lectures and 18 short answer questions (5 points each) largely taken from the weekly assignments (primarily the truth tables and fallacies).
Islam:
Islam as a civilization gave European civilization very much (Math, Logic, trade, technologies) but this is quite underappreciated. Cryptography, algebraic code-breaking, is a key culture related to scientific analysis. Avicenna says that universals are mental conceptions and individual beings are primary existents, while Averroes says that universals are the true essences of things and primary over individuals.
Hegel:
Hegel’s major advancement was historical explanation, explaining the structures of things as arising by process over time and not immediately by type. Hegel’s dialectic is a three stage process as positive, negative and synthesis. First, when the individual or history has an idea, there is an initial stage of positing that stands for the idea and completely opposes skepticism. Second, there is the stage of negation, skepticism and doubting the idea that is completely opposed to the first stage. Third and finally, there is a synthesis between the two positions that becomes the positive for the next cycle.
In Hegel’s Logic, he attempts to trace the entire path of consciousness up through modernity.
Russell & Mill:
Like Gautama (Nyaya Sutra), Aristotle and Averroes, Russell says we must use induction to come up with necessary and basic principles from which we can then deduce certain knowledge. Otherwise, we only have mere opinion. With Frege, Russell believed that there was a inner truth structure hidden within grammatical propositions and mathematics that could be brought out by analysis. Russell at first believed Wittgenstein would complete this project for him and give mathematics a fully clarified foundation, but Wittgenstein eventually abandoned the project to become quite like Mill. Mill, the one to whom Russell was most opposed, believed that the meaning of a thing is its use or positioning in situations. A thing does not have an essence besides its use in its situation. Wittgenstein came to embrace this view in his later thought.
Early Wittgenstein and the Tractatus:
Reality consists of atomic facts, states of affairs that are true. Thought, expressed grammatically in language, ‘pictures’ the world, thus these facts. These facts must be composed of several tautological structures (p, not, and, or) that in themselves say nothing at all. If a statement is meaningful, it must be possible and contingent, but neither certain nor impossible. Logical structures deal with the certain and impossible, but all propositions they construct are contingent on the situation of the world. Wittgenstein introduced Truth Tables in his Tractatus. We use them to demonstrate tautologies or equivalencies between truth value equations.
Late Wittgenstein and the Philosophical Investigations:
In his later thought, Wittgenstein believed that the meaning of a thing consisted in its use in language games or forms of life. He used many thought experiments to demonstrate that meaning is not contained in mental states or in rules of the world exclusively, but rather in the use of the things (involving both the head and the world inseparably). His metaphors include converting someone to ash in an oven, names as signposts and labels, the game of catch that arises between people in a field, rules as controls in a train cabin, and the child at the blackboard (rules leading to an infinite regress). Wittgenstein argued that we should give complex descriptions of things and resist the urge to essentialize things to a single factor or set of rules.
Truth Tables and Tautologies:
For Truth Tables, we assume BOTH the principle of Non Contradiction (p cannot be both true and false), and the principle of the Excluded Middle (p must be either True or False).
If p is true, then it has T as its truth value. If it is false, it has F as its truth value. We first used truth tables to determine the truth values for propositions. We next used truth tables to prove tautologies, equivalent statements that can then be used in substitution for one another. You know you have proved a tautology right when you have all T’s as the result. In addition, you will be asked to prove that certain functions are NOT tautologies, which simply means you should NOT get 4 T’s as the result.
Fallacies:
Appeal to Authority: Ex: ‘The police chief said that those people are evil’.
Ex: ‘If you brush with whatever toothpaste, 9 out of 10 scientists we gathered into a list to look just that way think you are awesome’.
Straw Man: The ‘Straw Man’ refers to setting up a scarecrow as a fake person. One essentializes the opponent’s position in a bad way, setting up their argument or position in a way that makes it easy to knock down. This is one of the most common fallacies that people accuse each other of doing: ‘My opponent is misrepresenting my position on the issues’. If you pull particular details or properties out of an opponent’s argument to knock it down, it can lead to over-essentializing and simplifying the position to the degree that your opponent will claim that you are not adequately representing their position on the issue.
Slippery Slope: One takes a consequence of the opponent’s position and blows it out of proportion. Example: ‘Well, if you legalize drugs people will try them, see there is no consequences, and then everyone will be doing them and civilization will collapse’.
This person took the consequence of some new users and it slides all the way down the slippery slope of over-simplifying judgment to everyone becoming an addict. Another Example: ‘If you want to legalize homosexuality, then you want to legalize all sexual conduct, including pedophilia. Thus you must be evil and wrong.’
Appeal to Emotion: Many types- one for every sort of emotion or desired goal.
Advertising, of course, appeals to desires for success, for happiness, for respect and status, appealing to both the desire for the positive and fear of the negative.
Appeal to Force: Ex: If you don’t believe me, Islamic extremists will eat your baby.
Ex: If you are wrong about this, everything will unravel and society will collapse.
Appeal to Pity: Ex: ‘If we don’t do it like I say, small children will cry’.
Ex: ‘This particular country has been poor for hundreds of years, so we should totally sell them a bunch of weapons to make them feel better about themselves’.
Appeal to Ignorance: There are things about X we don’t know, so we should assume Y.
Ex: Bush head of AAS on global warming as ‘just a theory’
Red Herring: Also ‘Missing the point’, taking the argument after an issue that does not decide the original issue being argued. One type of Red Herring, certainly the most popular is the Personal Attack.
Personal Attack: When one attacks the opponent and not the opponent’s argument. This also applies to attacking the way the opponent always argues but not the argument itself. Ex: ‘You can not believe a word my opponent says, because she/he is a communist/Mormon/atheist/aquatic fowl etc.’
Fallacy of Composition and Fallacy of Division:
Wrongly attributing property of part to whole, and whole to part.
These are interlaced with the fallacies so far.
Ex of Fallacy of Composition: If water is wet, and water is 3/5ths the human, then the human being is essentially wet. If San Francisco and LA are very liberal, then California is very liberal.
Ex of Fallacy of Division: If water is wet, and water is H2O, then Hydrogen must be wet. If California is very liberal, then Fresno must be rocking liberal.
Tuesday, December 7, 2010
Ethics: Review for the Final Exam
The Final Exam will consist of 20 Multiple Choice questions (2 points each) and 2 Short Essays (30 points each) at least two pages each in length. The Multiple Choice questions will cover points in the lectures and readings. The Short Essays are personal responses to and comparisons of the concepts that demonstrate your own thinking. The essay topics are listed at the end of this review. If you wish to write another sort of essay, please tell me and I will likely let you write it.
Theft, Possession & Zinn
We can see that the ape can come to possess as ‘mine not yours’, and come to forget this possessing (‘neither mine nor yours’). Today, we use Chinese style paper bank notes, backed by the government, just like in China after 500 CE or so. The culture which includes the device of money has advantages over the culture of mere barter. Money as a device is very simple, simple the ways that numbers are simple for much the same purpose. Money is good (and bad) because it is very easy to gather/amass and divide/distribute, much more than any other object or substance. There are, however, two great disadvantages to the culture of money use: First, theft, like trade, becomes easier! Second, the desire for money becomes quite intense.
The Ethical question we must ask is: Is theft ever justified? We can use our Ethical concepts we have studied to give various answers to this question. Kant, of course, would say NEVER. According to the concept of virtue, theft is fully justified as long as the individual is virtuous or becomes virtuous through the act of theft. In a very similar way, Utilitarians and Consequentialists would argue that theft is justified if in the long term it results in good and justice, much happiness and prevention of harm (like Robin Hood). The concept of balance draws our attention not only to the duality of stealing and not stealing but also to the duality of possessing and forgetting about possession, grasping and letting go. If one stores up wealth, one brings theft to one’s doorstep. Is it in one’s self interest to steal from everyone? Not if everyone has large sticks and helmets haven’t been invented yet. We watched the first half of the corporation in class, showing us that the corporation is an “externalizing machine” which puts the stock price before all else, and that this device has allowed America to become very rich but at great social costs.
Lies, Propaganda & Chomsky
Individuals and groups manipulate the truth to serve their own ends, in a conscious/unconscious way that often resembles denial. We focused on the historical background of American propaganda and censorship. Recalling the story of the baboon giving the false leopard call, apes have been seen lying to their fellow apes. The Assyrians were masters of propaganda, using the OLD propaganda model: “This is the king/state, we know best”. We have failed to have a real discussion about censorship and bias in America. This means ‘THEY’ are simply biased and put forth propaganda, and WE would never do something like that. This is not only the basic human frame as before, but Americans and British got set in this in a particular way through WWI and II. In WWI, Propaganda is something the Germans do, not the Belgians, British or Americans. In WWII, the Germans and Japanese do propaganda, and in the cold war the Russians. The British and Americans, however, would never do ‘propaganda’ by name, as they are the champions of liberty, democracy and freedom from tyranny (even as Britain and then America plundered and sought empire in the same way that the Germans, Russians did). We do ‘education’, ‘information’, ‘public relations’, ‘human relations’, and in time of war we may engage in psychological warfare, but we never do ‘propaganda’. Bernays invented the committee of Doctors who tell you to eat eggs and bacon for a ‘hearty’ breakfast, saying old way is ‘Eat Bacon!’, new way: ‘Drs say, ‘Eat bacon’’. This is ‘free expert’ style of British/American propaganda.
Post WWII, the French and Russians had largely convinced everyone that America has no culture, only cheap commercialism, and America talks a lot about Freedom, but look at how they treat black people. The US wanted to fight the ‘French Flu’ and push European intellectuals away from Marxism as liberation towards free market capitalism as liberation. Both US and Soviets fought over who liberates and who oppresses. In 1956, the ‘Melting Pot’ became a slogan for the US. In films, token black people began appearing well before the civil rights movement. Documents of agents who worked with studios on scripts say, ‘took out a drunk, added a black person’.
Violence, War & Grossman
Violence, like sex, was a part of life since childhood in the beginning. As Grossman says, in Victorian England sex became something shameful and best kept out of sight, and similarly with the butcher and refrigeration violence became something out of sight. Consider David Foster Wallace’s FX Porn article about T2 and Jurassic park. Sex and killing are specialized spectacles, quite unrealistic and pieced together with bad dialogue. We all have violent thoughts, but very few humans will be violent, no matter what culture or ethnicity or gender. Normally, there is a safety catch in the human mind that prevents us from being violent. However, in certain situations with particular factors, most everyone becomes capable of violence. 2% of the population have an aggressive personality, potentially psychosis (these individuals are often, Grossman says, drafted into the hardcore units, the marine spearhead squads dropped behind enemy lines or the frontal advance groups). American media is quite gifted with the myth of the easy kill, for both the hero and villain. What this myth conceals: there are far greater chance of being a psychological casualty of conflict then there are of being killed or wounded. What factors increase or decrease the justification and the enabling of violence? Absolution by Distance, Absolution by Authority, and Group Absolution. Both soldiers and gang members find themselves having nightmares where those who have been killed come back to haunt them and ask why. It is as if killing a being does not kill the presence, that the negated presence comes back. This is likely why people believed in evil ghosts for so long across all cultures. Stages of Killing: Combat High, Remorse, Rationalization (wrestling with the contradiction of positive/negative, self/other).
Environment, Consumption & Carson
We have done so well as a species that we have become quite unbalanced with nature. While many cultures have spoken of being in balance (Egyptian Wisdom for instance), it was only with the growth of mechanization and technology that Islamic scholars first wrote consciously of the impact that humans had systematically on the environment. As we see in The Corporation, in the 1940s and 1950s, just as US became the wealthiest nation, petroleum products were used to make huge varieties of products. Wood and metal gave way to plastic. What has happened: we are in a culture that can give us immediate things according to our intentions, but such that we ignore the long and complicated process of nature. Nature can sift things out, but not as fast as we can synthesize just what we want while externalizing the unneeded and then ignoring it until it snowballs up into our face. Cancer rates, birth defect rates, and other problems are evidence of the environmental impact. Wilderness: Does one consider best use in the long term to be using everything, or do we leave things unused for long term. Sustainability: Nature and economy must both be preserved, or both will collapse. Environmental Justice: Who gets benefits and who gets harm of processes in the culture? One fifth of world consumes four fifths of resources.
Class, Power & Karp
Class is a very important issue for Americans today. From propaganda week, we know that A, we are systematically taught that ‘there is no class in America because it is a freedom place’, and B, ‘class is something that OTHER cultures are brutal with, but we are free of that problem’. This was what we said about the Soviets, and they said about us. There are two types of class status, ascribed (born with it) and achieved (gained in time). The common indicators of ascribed class status are ethnicity (race and tribe), family (royal lineage), gender (male, female or other), and culture (religion, language). The common indicators of achieved class status are position (job or role in society), wealth (property which includes money), ability (skills, education and experience), and fame (honor, success, celebrity). The two positions are privileged on the top and marginalized on the bottom. On top in society are those who have enough that if they hold on to it they do not need to work. On the bottom are those who have so little that if they do not work then they have nothing at all. In the middle are those who are using all sorts of strategies to get employed and gain property. In America today, in spite of ditching the British noble heraldry, the top 1% are ‘super-rich’ upper class (who earn over $350,000 a year or get that in returns on investments), the next 5% are ‘rich’ upper class (over $100,000 a year), the 44% are middle class (over $40,000), and the remaining 50% are ‘working-class’ and lower class (under $40,000). This means that the lowest upper class members earn just under 9 times what the lowest middle class members earn.
In the first short article I gave you from the Race, Class & Gender reader, Class & Inequality, Sklar puts together interesting statistics on wealth and poverty in America. All gains in household income since 1975 essentially went to the top 20%. Since 2000, the US has gained 76 billionaires (putting the number at 374) and 5 million additional people below the poverty line (to make 37 million, the population of the East Coast). Our infant mortality rates, especially for inner city impoverished people, rival rates in Malaysia and India.
In the second article, Media Magic, Mantsios argues that the media (TV and movies in particular) make class disappear from America. Poverty is increasing at twice the population growth rate, yet less than 1 in 500 articles in the NY Times is on poverty (and ask Chomsky, they set the nations news). Welfare cheats and aggressive pan handlers take up a sizable portion of the space given to the impoverished in print.
In Indispensable Enemies Karp starts by noting that in American politics there is always a powerful ‘other’ to blame for not getting what one’s group wants, but no group seems to be able to get what it wants for itself. Karp argues that the basic assumption that parties are trying to win elections needs to be questioned. We need to rather ask what the two parties have done in the last 150 years (the time in which America has risen to be the wealthiest nation). When you look at it this way, we see that the two parties have controlled 50% of the country split down the middle since the civil war polarized the country. A landslide in American elections is 60-40, and neither party seems to push lasting popular legislation. Most states stay blue or red for decades, if they ever change at all. This means that, through all of the changes that Zinn, Grossman, Chomsky, Carson and the Corporation have been talking about, the two political parties have remained exactly the same. Karp argues that, when we realize that the two parties are trying to maintain control over their 50%, we can see many things. This is the thesis of the book. We can see that anyone too left or right of center is sabotaged by the party. A party would rather see the other side win a district for a while then see someone who is intent on pushing forward real change. You must prove your loyalty and centrality to be big and get elected. If you show any independence or disloyalty the party will kill your campaign with the help of the other party and wait for the next election, concentrating on keeping a tight and simple lock on the 50%, not on pushing forward a program. Thus Karp charges that we have one party, with two wings, not two parties at all. The upper class pay and play for both sides and further the interests of American power (which is held in particular American hands). The common people are set against each other and told that because the other side is as free as they are nothing can get done. In other words, it is all a game of good cop, bad cop, similar also to Operation Margerine.
Sexism, Gender & De Beauvoir
Distinction of overt vs. covert prejudice: explicit vs. hidden.
The myth is that women are docile, non-violent, unconfident, incompetent, and emotional. Women are capable of violence and even rape, though our society does not recognize this yet. Women are not unconfident or emotional compared to men. There are two dynamics of psychology in which women differ from men. First, men tend to seek power through NOT being social, isolating themselves and their opinions, whereas women tend to seek power through BEING social, interacting with others. Second, in sexuality, men like to watch women and women like to be watched, as one author has said, to watch themselves being watched. In apes and the most ancient nomadic and tribal societies, there is evidence that women often had status and leadership positions. As people began to collect into city states, we can see patriarchy increase. When we look at the cultures of the world and their historical development, we can see that all cultures have taken part in a similar oppression of women, but at the same time women have had increasing power in society and new movements have to appeal to women to take off. Women are 51% of the population (technically the MAJORITY of the population), do 66% of the work, get 10% of the income, and worldwide own 1% of the property. Thus, sexism (overt AND covert) is quite alive, in spite of counter claims.
Feminism is the movement in reaction to sexism and prejudice against women. The basic idea is that women should have the same status as men in society, or “women are people too”. The first wave was the women’s suffrage movement of the 1920s in America and Britain. The second wave was the civil rights movement, the late 60s and early 70s which is also called the women’s liberation movement or ‘women’s lib’. Simone De Beauvoir wrote The Second Sex in France in 1953, arguing that women had been marginalized as ‘The OTHER’ by men using Hegel’s idea of the master-slave dialectic. The Feminine Mystique (1963) by Betty Friedan was another big book of the time (much more published in America than Marxist De Beauvoir’s), arguing that women were not feeling fulfilled as homemakers and mothers, and they needed an identity for themselves as individuals beyond the identity of the family. The third wave was after the 80s backlash against the 60s progressive movements that began in the early 90s and continues today. The third wave tried to not only pay attention to black women, Latina women, third world women, but also to break down the idea of women as essentially different from men but equal. The two big issues, which are still being fought out today, are 1) Is gender a subjective construct (in the mind) or social reality (in the world)? And 2) Did feminism accomplish what it set out to achieve, or did it in part hurt its own efforts in telling women that sex makes them oppressed? (anti-pornography feminism vs. ‘pro-sex’ feminism)
Racism, Ethnicity & Hannaford
If you are marginalized and you point out covert racism, you are often accused of overt racism by privileged people. Great evidence against Racism: Piaget’s studies of Child development stages, and African kids using laptops experiment and the surprise that there is no lag time compared to Western kids. Race seems obvious today, a ‘fact’ of biology. There seem to be distinct ethnic groups that are easily divisible into recognizable races. Hannaford argues that in fact racism rose with science and modernity in the rise of Europe since the 1600s. There was, of course, always ethnocentrism (my tribe is familiar, your tribe over the hill is scary) that correspond to self-centered thinking on an individual level, but ‘black’ and ‘white’ people did not always exist. ‘Race’ comes into European languages by the 1500s. In English, ‘ras’ meant a course or current. The word did not mean a fully separate category of people until after 1700, as Europeans got wealthy beyond everyone and very successful with sciences (phrenology in India example). Today, however, research on genetics shows that there is no definable or divisible races that can be fully separated. Rather, there is a tangle of genetic material that is mostly common to a people.
ESSAY TOPICS:
The short essays are personal responses to and comparisons of the concepts that demonstrate your own thinking. Make sure to write clearly, stick to the subject and use examples from the lectures and readings or your own to support your point. For each of the two essays, write a two page reflection on a topic of your choice. If you prefer, you can select a topic from the options below, but you are also welcome to write on any matter that interests you as long as you focus on the issue, argue well and use good examples. When you are done, it is a good idea to go back over your answer to make sure you have answered the question.
Option 1: What is the ethical conception you think best prevents theft, and why?
Option 2: Must all societies lie? Is the American and British style of propaganda better or worse than the older methods of the past?
Option 3: Are Grossman’s findings on human violence comforting or disturbing? Why?
Option 4: How is environmental sustainability possible in the shadow of the corporation?
Option 5: Karp argues that American two party politics is a deceptive device.
Does he make a good case?
Option 6: Is covert prejudice more or less difficult to fight than overt prejudice?
Option 7: Against some ‘second wave’ feminists, third wave ‘pro-sex’ feminists say that women can be sexy without helping to oppress themselves. What is your thinking?
Option 8: Is racism a permanent condition, or can it be dismantled? How?
Theft, Possession & Zinn
We can see that the ape can come to possess as ‘mine not yours’, and come to forget this possessing (‘neither mine nor yours’). Today, we use Chinese style paper bank notes, backed by the government, just like in China after 500 CE or so. The culture which includes the device of money has advantages over the culture of mere barter. Money as a device is very simple, simple the ways that numbers are simple for much the same purpose. Money is good (and bad) because it is very easy to gather/amass and divide/distribute, much more than any other object or substance. There are, however, two great disadvantages to the culture of money use: First, theft, like trade, becomes easier! Second, the desire for money becomes quite intense.
The Ethical question we must ask is: Is theft ever justified? We can use our Ethical concepts we have studied to give various answers to this question. Kant, of course, would say NEVER. According to the concept of virtue, theft is fully justified as long as the individual is virtuous or becomes virtuous through the act of theft. In a very similar way, Utilitarians and Consequentialists would argue that theft is justified if in the long term it results in good and justice, much happiness and prevention of harm (like Robin Hood). The concept of balance draws our attention not only to the duality of stealing and not stealing but also to the duality of possessing and forgetting about possession, grasping and letting go. If one stores up wealth, one brings theft to one’s doorstep. Is it in one’s self interest to steal from everyone? Not if everyone has large sticks and helmets haven’t been invented yet. We watched the first half of the corporation in class, showing us that the corporation is an “externalizing machine” which puts the stock price before all else, and that this device has allowed America to become very rich but at great social costs.
Lies, Propaganda & Chomsky
Individuals and groups manipulate the truth to serve their own ends, in a conscious/unconscious way that often resembles denial. We focused on the historical background of American propaganda and censorship. Recalling the story of the baboon giving the false leopard call, apes have been seen lying to their fellow apes. The Assyrians were masters of propaganda, using the OLD propaganda model: “This is the king/state, we know best”. We have failed to have a real discussion about censorship and bias in America. This means ‘THEY’ are simply biased and put forth propaganda, and WE would never do something like that. This is not only the basic human frame as before, but Americans and British got set in this in a particular way through WWI and II. In WWI, Propaganda is something the Germans do, not the Belgians, British or Americans. In WWII, the Germans and Japanese do propaganda, and in the cold war the Russians. The British and Americans, however, would never do ‘propaganda’ by name, as they are the champions of liberty, democracy and freedom from tyranny (even as Britain and then America plundered and sought empire in the same way that the Germans, Russians did). We do ‘education’, ‘information’, ‘public relations’, ‘human relations’, and in time of war we may engage in psychological warfare, but we never do ‘propaganda’. Bernays invented the committee of Doctors who tell you to eat eggs and bacon for a ‘hearty’ breakfast, saying old way is ‘Eat Bacon!’, new way: ‘Drs say, ‘Eat bacon’’. This is ‘free expert’ style of British/American propaganda.
Post WWII, the French and Russians had largely convinced everyone that America has no culture, only cheap commercialism, and America talks a lot about Freedom, but look at how they treat black people. The US wanted to fight the ‘French Flu’ and push European intellectuals away from Marxism as liberation towards free market capitalism as liberation. Both US and Soviets fought over who liberates and who oppresses. In 1956, the ‘Melting Pot’ became a slogan for the US. In films, token black people began appearing well before the civil rights movement. Documents of agents who worked with studios on scripts say, ‘took out a drunk, added a black person’.
Violence, War & Grossman
Violence, like sex, was a part of life since childhood in the beginning. As Grossman says, in Victorian England sex became something shameful and best kept out of sight, and similarly with the butcher and refrigeration violence became something out of sight. Consider David Foster Wallace’s FX Porn article about T2 and Jurassic park. Sex and killing are specialized spectacles, quite unrealistic and pieced together with bad dialogue. We all have violent thoughts, but very few humans will be violent, no matter what culture or ethnicity or gender. Normally, there is a safety catch in the human mind that prevents us from being violent. However, in certain situations with particular factors, most everyone becomes capable of violence. 2% of the population have an aggressive personality, potentially psychosis (these individuals are often, Grossman says, drafted into the hardcore units, the marine spearhead squads dropped behind enemy lines or the frontal advance groups). American media is quite gifted with the myth of the easy kill, for both the hero and villain. What this myth conceals: there are far greater chance of being a psychological casualty of conflict then there are of being killed or wounded. What factors increase or decrease the justification and the enabling of violence? Absolution by Distance, Absolution by Authority, and Group Absolution. Both soldiers and gang members find themselves having nightmares where those who have been killed come back to haunt them and ask why. It is as if killing a being does not kill the presence, that the negated presence comes back. This is likely why people believed in evil ghosts for so long across all cultures. Stages of Killing: Combat High, Remorse, Rationalization (wrestling with the contradiction of positive/negative, self/other).
Environment, Consumption & Carson
We have done so well as a species that we have become quite unbalanced with nature. While many cultures have spoken of being in balance (Egyptian Wisdom for instance), it was only with the growth of mechanization and technology that Islamic scholars first wrote consciously of the impact that humans had systematically on the environment. As we see in The Corporation, in the 1940s and 1950s, just as US became the wealthiest nation, petroleum products were used to make huge varieties of products. Wood and metal gave way to plastic. What has happened: we are in a culture that can give us immediate things according to our intentions, but such that we ignore the long and complicated process of nature. Nature can sift things out, but not as fast as we can synthesize just what we want while externalizing the unneeded and then ignoring it until it snowballs up into our face. Cancer rates, birth defect rates, and other problems are evidence of the environmental impact. Wilderness: Does one consider best use in the long term to be using everything, or do we leave things unused for long term. Sustainability: Nature and economy must both be preserved, or both will collapse. Environmental Justice: Who gets benefits and who gets harm of processes in the culture? One fifth of world consumes four fifths of resources.
Class, Power & Karp
Class is a very important issue for Americans today. From propaganda week, we know that A, we are systematically taught that ‘there is no class in America because it is a freedom place’, and B, ‘class is something that OTHER cultures are brutal with, but we are free of that problem’. This was what we said about the Soviets, and they said about us. There are two types of class status, ascribed (born with it) and achieved (gained in time). The common indicators of ascribed class status are ethnicity (race and tribe), family (royal lineage), gender (male, female or other), and culture (religion, language). The common indicators of achieved class status are position (job or role in society), wealth (property which includes money), ability (skills, education and experience), and fame (honor, success, celebrity). The two positions are privileged on the top and marginalized on the bottom. On top in society are those who have enough that if they hold on to it they do not need to work. On the bottom are those who have so little that if they do not work then they have nothing at all. In the middle are those who are using all sorts of strategies to get employed and gain property. In America today, in spite of ditching the British noble heraldry, the top 1% are ‘super-rich’ upper class (who earn over $350,000 a year or get that in returns on investments), the next 5% are ‘rich’ upper class (over $100,000 a year), the 44% are middle class (over $40,000), and the remaining 50% are ‘working-class’ and lower class (under $40,000). This means that the lowest upper class members earn just under 9 times what the lowest middle class members earn.
In the first short article I gave you from the Race, Class & Gender reader, Class & Inequality, Sklar puts together interesting statistics on wealth and poverty in America. All gains in household income since 1975 essentially went to the top 20%. Since 2000, the US has gained 76 billionaires (putting the number at 374) and 5 million additional people below the poverty line (to make 37 million, the population of the East Coast). Our infant mortality rates, especially for inner city impoverished people, rival rates in Malaysia and India.
In the second article, Media Magic, Mantsios argues that the media (TV and movies in particular) make class disappear from America. Poverty is increasing at twice the population growth rate, yet less than 1 in 500 articles in the NY Times is on poverty (and ask Chomsky, they set the nations news). Welfare cheats and aggressive pan handlers take up a sizable portion of the space given to the impoverished in print.
In Indispensable Enemies Karp starts by noting that in American politics there is always a powerful ‘other’ to blame for not getting what one’s group wants, but no group seems to be able to get what it wants for itself. Karp argues that the basic assumption that parties are trying to win elections needs to be questioned. We need to rather ask what the two parties have done in the last 150 years (the time in which America has risen to be the wealthiest nation). When you look at it this way, we see that the two parties have controlled 50% of the country split down the middle since the civil war polarized the country. A landslide in American elections is 60-40, and neither party seems to push lasting popular legislation. Most states stay blue or red for decades, if they ever change at all. This means that, through all of the changes that Zinn, Grossman, Chomsky, Carson and the Corporation have been talking about, the two political parties have remained exactly the same. Karp argues that, when we realize that the two parties are trying to maintain control over their 50%, we can see many things. This is the thesis of the book. We can see that anyone too left or right of center is sabotaged by the party. A party would rather see the other side win a district for a while then see someone who is intent on pushing forward real change. You must prove your loyalty and centrality to be big and get elected. If you show any independence or disloyalty the party will kill your campaign with the help of the other party and wait for the next election, concentrating on keeping a tight and simple lock on the 50%, not on pushing forward a program. Thus Karp charges that we have one party, with two wings, not two parties at all. The upper class pay and play for both sides and further the interests of American power (which is held in particular American hands). The common people are set against each other and told that because the other side is as free as they are nothing can get done. In other words, it is all a game of good cop, bad cop, similar also to Operation Margerine.
Sexism, Gender & De Beauvoir
Distinction of overt vs. covert prejudice: explicit vs. hidden.
The myth is that women are docile, non-violent, unconfident, incompetent, and emotional. Women are capable of violence and even rape, though our society does not recognize this yet. Women are not unconfident or emotional compared to men. There are two dynamics of psychology in which women differ from men. First, men tend to seek power through NOT being social, isolating themselves and their opinions, whereas women tend to seek power through BEING social, interacting with others. Second, in sexuality, men like to watch women and women like to be watched, as one author has said, to watch themselves being watched. In apes and the most ancient nomadic and tribal societies, there is evidence that women often had status and leadership positions. As people began to collect into city states, we can see patriarchy increase. When we look at the cultures of the world and their historical development, we can see that all cultures have taken part in a similar oppression of women, but at the same time women have had increasing power in society and new movements have to appeal to women to take off. Women are 51% of the population (technically the MAJORITY of the population), do 66% of the work, get 10% of the income, and worldwide own 1% of the property. Thus, sexism (overt AND covert) is quite alive, in spite of counter claims.
Feminism is the movement in reaction to sexism and prejudice against women. The basic idea is that women should have the same status as men in society, or “women are people too”. The first wave was the women’s suffrage movement of the 1920s in America and Britain. The second wave was the civil rights movement, the late 60s and early 70s which is also called the women’s liberation movement or ‘women’s lib’. Simone De Beauvoir wrote The Second Sex in France in 1953, arguing that women had been marginalized as ‘The OTHER’ by men using Hegel’s idea of the master-slave dialectic. The Feminine Mystique (1963) by Betty Friedan was another big book of the time (much more published in America than Marxist De Beauvoir’s), arguing that women were not feeling fulfilled as homemakers and mothers, and they needed an identity for themselves as individuals beyond the identity of the family. The third wave was after the 80s backlash against the 60s progressive movements that began in the early 90s and continues today. The third wave tried to not only pay attention to black women, Latina women, third world women, but also to break down the idea of women as essentially different from men but equal. The two big issues, which are still being fought out today, are 1) Is gender a subjective construct (in the mind) or social reality (in the world)? And 2) Did feminism accomplish what it set out to achieve, or did it in part hurt its own efforts in telling women that sex makes them oppressed? (anti-pornography feminism vs. ‘pro-sex’ feminism)
Racism, Ethnicity & Hannaford
If you are marginalized and you point out covert racism, you are often accused of overt racism by privileged people. Great evidence against Racism: Piaget’s studies of Child development stages, and African kids using laptops experiment and the surprise that there is no lag time compared to Western kids. Race seems obvious today, a ‘fact’ of biology. There seem to be distinct ethnic groups that are easily divisible into recognizable races. Hannaford argues that in fact racism rose with science and modernity in the rise of Europe since the 1600s. There was, of course, always ethnocentrism (my tribe is familiar, your tribe over the hill is scary) that correspond to self-centered thinking on an individual level, but ‘black’ and ‘white’ people did not always exist. ‘Race’ comes into European languages by the 1500s. In English, ‘ras’ meant a course or current. The word did not mean a fully separate category of people until after 1700, as Europeans got wealthy beyond everyone and very successful with sciences (phrenology in India example). Today, however, research on genetics shows that there is no definable or divisible races that can be fully separated. Rather, there is a tangle of genetic material that is mostly common to a people.
ESSAY TOPICS:
The short essays are personal responses to and comparisons of the concepts that demonstrate your own thinking. Make sure to write clearly, stick to the subject and use examples from the lectures and readings or your own to support your point. For each of the two essays, write a two page reflection on a topic of your choice. If you prefer, you can select a topic from the options below, but you are also welcome to write on any matter that interests you as long as you focus on the issue, argue well and use good examples. When you are done, it is a good idea to go back over your answer to make sure you have answered the question.
Option 1: What is the ethical conception you think best prevents theft, and why?
Option 2: Must all societies lie? Is the American and British style of propaganda better or worse than the older methods of the past?
Option 3: Are Grossman’s findings on human violence comforting or disturbing? Why?
Option 4: How is environmental sustainability possible in the shadow of the corporation?
Option 5: Karp argues that American two party politics is a deceptive device.
Does he make a good case?
Option 6: Is covert prejudice more or less difficult to fight than overt prejudice?
Option 7: Against some ‘second wave’ feminists, third wave ‘pro-sex’ feminists say that women can be sexy without helping to oppress themselves. What is your thinking?
Option 8: Is racism a permanent condition, or can it be dismantled? How?
Sunday, December 5, 2010
Intro Philosophy & Logic: Humor & Modern Art
BCC Intro Philosophy & Logic
Eric Gerlach
12/6/2010
LECTURE ON HUMOR AND ART
Philosophy can and is used for creativity, using the doubts and insights to create, playing with the boundaries and tensions of the most important things. Humor and Art are two ways of using one’s insights from Philosophy to do this. Humor and art are of course ancient, but modern art and humor are very advanced. Last time, we saw Lewis Carroll was reacting against society and Victorian strict discipline of children, showing the contradictions of authority and the assumptions we make in reasoning that are dependent upon our position in the situation.
HUMOR AS SKEPTICISM
Two early American masters of humor are Ambrose Bierce and Groucho Marx, both of whom were reacting to the horror and absurdity of the times (Bierce to the Civil War, and the Marx Brothers to WWI).
Ambrose Bierce: (1842-1914?) His Devil’s Dictionary was an early rebellious attack on society.
A San Franciscan (since 1866), he wrote bitterly about the Civil War and the corruption on both sides (Union and Confederacy) then disappeared in Mexico seeking the revolution. He had a brilliant gift with pointing out how we are all selfish and ignorant (one-sided judgments) with humor, attacking the politicians, the military, the rich, slavery, and American society.
Some Entries from his Devil’s Dictionary (1906 ‘Cynic’s Word Book’):
Absurdity, n.: A statement or belief manifestly inconsistent with one's own opinion.
Academe, n.: An ancient school where morality and philosophy were taught.
Academy, n.: A modern school where football is taught.
Acquaintance. A person whom we know well enough to borrow from, but not well enough to lend to.
Admiration, n. Our polite recognition of another's resemblance to ourselves.
Anoint, v.: To grease a king or other great functionary already sufficiently slippery.
Brain: an apparatus with which we think we think.
Conservative - a statesman who is enamored of existing evils, as distinguished from a Liberal, who wishes to replace them with others.
Corporation: An ingenious device for obtaining profit without individual responsibility.
Debt, n. An ingenious substitute for the chain and whip of the slavedriver.
Duty - that which sternly impels us in the direction of profit, along the line of desire.
Edible, adj.: Good to eat, and wholesome to digest, as a worm to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.
Egotist: a person of low taste, more interested in himself than in me.
Hashish: there is no definition of this word. No one knows what this word means.
Heaven lies about us in our infancy and the world begins lying about us pretty soon afterward.
History is an account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools.
Logic: The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding.
Love: A temporary insanity curable by marriage.
The Marx Brothers (comedians of the 20s and 30s) were early absurdists, formative for US comedy. Groucho Marx was amazing with one liners that show a beautifully complex understanding of contradictions involving human pride and judgment, very much like Bierce:
The secret of life is honesty and fair dealing. If you can fake that, you've got it made.
There is one way to find out if a man is honest; ask him! If he says yes you know he's crooked.
Why a four-year old child could understand this. Somebody find a four-year old child.
Who are you going to believe, me or your own eyes?
All people are born alike - except Republicans and Democrats.
I don't care to belong to a club that accepts people like me as members.
I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.
I have had a perfectly wonderful evening, but this wasn't it.
I've got the brain of a four year old. I'll bet he was glad to be rid of it.
Marriage is a wonderful institution, but who wants to live in an institution?
Military intelligence is a contradiction in terms.
Those are my principles, and if you don't like them... well, I have others.
Well, Art is Art, isn't it? …And east is east and west is west… and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now you tell me what you know.
MODERN ART AS SKEPTICISM
With WWI and modern warfare, there were new human horrors on previously unseen levels. Similar to the German Pessimism that influenced Schopenhauer and Nietzsche, the horrors of WWI brought great disillusionment with reason, science and society to European intellectuals, particularly for German and French youth who would have a huge impact on modern culture. Here in the Bay Area, a very similar movement happened in reaction to the Vietnam War. WWI used more machines and propaganda than ever before, and for this is often called the first modern war. Oil became the fuel of war and vehicles, planes, jeeps (and after WWI, the Middle East was carved up by European powers as the source of oil). This was the beginning of machine guns and air warfare, bombing runs, tanks.
Newspapers all became mouthpieces of the government in times of war. To European intellectuals who conversed across national lines, this showed logic and language being used for authority and empire in the name of reason. The dominant scholars often sang nationalistic praise, particularly in Philosophy departments. The students and others came together to doubt and be skeptical of the powers that be on a level that had a new intensity (fueled on Nietzsche, Marx and others).
Modern art and humor start from this point. They shatter and destroy, ‘ripping’ on the powers that be and the truths we are told by authorities. Modern art and humor put things out of joint, not resolving contradictions but bringing them explicitly out, possibly more than any culture yet. They help to simplify and focus work which is abstract and disconnected on purpose as a revolt against the positive collective power of the traditional.
DADA: “guerilla warfare against the Establishment”
During WWI (1915-1917) young intellectuals from all over Europe converged in Zurich, Switzerland. They shared an opposition to the war and traditional values. To these thinkers, the stupidity and brutality of the modern age was clearly being sold to the masses through appeals to ‘reason’, ‘order’, ‘logic’, and ‘spirit’. They found these terms to be hypocritical on a societal level, and declared a crisis of meaning: European civilization, and human reason, the new modern values, are a farce. Thus, use absurdity to bring out the contradictions in the ‘reason’ and the ‘reasonable’.
Some of these similarly minded youth converged on the Cabaret Voltaire, a beer parlor run by Hugo Ball. Jazz music was the new rage, violating old traditional standards. Ball and his friend Huelsenbeck were looking for a fake French name for a dancer in a French dictionary when they found the word dada: ‘baby talk for horse, a child’s rocking horse’. They decided that this word fit the movement that they felt was going on in Zurich. The parlor became the first home and center. Much art that was brutal and bizarre appeared here, a new turn that is critical for modern art and humor.
Dada’s two celebrated themes are brutalism and simultaneity. Their brutalism, being obscene (sex, swearing, being intoxicated, making no sense on purpose) spoke against society, violating cultural norms using absurdity and obscenity (much like later Hunter S. Thompson, South Park).
Simultaneity is the occurrence of many disconnected elements within a work, a resistance polarized against making the whole coherent. Collage involves using many different types of media blended together to create (the Dadaists were famous for using newspaper type and pictures in collage, unseen before their time). Simultaneity and collage in the hands of the Dadaists were used to portray disconnected life, impossible to know as a complete and finished system. This is both a celebration and a protest, loving yet fearing the contradictions of the world. The Dadaists invented an impressive set of ‘new’ art forms, including abstract sound poems, abstract (mechanical) music, found art (garbage collage), simultaneous poetry (the reading of many poems at once), and abstract painting.
Out of Zurich, Switzerland and Berlin, Germany, the Dada movement began and quickly spread to Paris, New York, Moscow, Tokyo, and across the whole world. Our modern culture, which is not simply Western but global, includes the deep and playful skepticism of DADA. The Beatniks and Hippies of the Bay picked up the Motherwell anthology as a major source.
Great DADA Moments & Quotes:
In one of the first shows at the Cabaret Voltaire, Schwitters showed the audience a one letter poem, a card with a large ‘W’. He then started to recite the poem, starting with a whisper and ending in a loud wailing siren.
In April of 1920, Orp, Baargeld and Ernst put on an infamous Dada show in Cologne, France. Sitting next to a tank of red tinted water with an alarm clock submerged at the bottom, Ernst had created a wooden sculpture with an axe chained to it. A sign invited anyone who wished to use the axe to help destroy the sculpture. In a Paris exhibit of Ernst’s work, invitations read: “at 22 o’clock the kangaroo, at 22:30 high frequency, at 23 o’clock distribution of surprises, after 23:30 intimacies.” The exhibit itself was a Dada performance. Breton munched matches, Ribemont-Dessaignes kept shouting, ‘It is raining on a skull’, Soupault and Tzara played a game of hide and seek, while Peret and Charchoune continuously shook hands. These performances are early precursors to performance art (which culminated in Situationalism and Fluxus, of which Yoko Ono was a prominent figure).
Huelsenbeck
“It’s a fucked-up foolish world. You walk aimlessly along, fixing up a philosophy for supper. But before you have it ready, the mailman brings you the first telegram, announcing that all your pigs have died of rabies, your dinner jacket has been thrown off the Eiffel Tower, your housekeeper has come down with the epizootic. You give a startled look at the moon, which seems to you like a good investment, and the same postman brings you a telegram announcing that all your chickens have died of hoof and mouth disease, your father has fallen on a pitchfork and frozen to death, your mother has burst with sorrow on the occasion of her silver wedding (maybe the frying pan stuck to her ears, how do I know?). That’s life, dear fellow.”
“The Germans are the masters of dissembling, they are unquestionably the magicians (in the vaudeville sense) among nations, in every moment of their life they conjure up a culture, a spirit, a superiority which they can hold as a shield in front of their endangered bellies.”
“The highest art will be that which in its conscious content presents the thousand-fold problems of the day, the art which has been visibly shattered by the explosions of last week, which is forever trying to collect its limbs after yesterday’s crash.”
Tristan Tzara
The foremost Dada manifesto writer, Tzara was famous for reading his manifestoes interspersed in Dada performances. He was a leader of the movement in Zurich, and then later in Paris, where the European scene is considered to have migrated with him.
From Tzara’s Dada Manifestos:
“Dada remains within the European frame of weakness it’s shit after all but from now on we mean to shit in assorted colors and bedeck the artistic zoo with the flags of every consulate.”
“Dada exists for no one and we want everybody to understand this because it is the balcony of Dada, I assure you.”
“I love you so I swear I do adore you.”
“If I cry out: Ideal, ideal, ideal, Knowledge, knowledge, knowledge, Boomboom, boomboom, boomboom,” I have given a pretty faithful version of progress, law, morality, and all other fine qualities that various highly intelligent men have discussed in so many books, only to conclude that after all everyone dances to his own personal boomboom, and that the writer is entitled to his boomboom: the satisfaction of pathological curiosity; a private bell for inexplicable needs…”
“I am against all systems, the most acceptable system is on principle to have none. To complete oneself, to perfect oneself in one’s own littleness, to fill the vessel with one’s individuality, to have the courage to fight for and against thought, the mystery of bread, the sudden burst of an infernal propeller into economic lilies…”
“Here is the great secret: The thought is made in the mouth.
I still consider myself very charming.”
“A great Canadian philosopher has said: thought and the past are also very charming.”
(Here, the genders on ‘thought’ and ‘past’ are reversed, a common way of mocking Americans speaking French.)
From Tzara’s Lecture on Dada (1922)
“I know that you have come here today to hear explanations. Well, don’t expect to hear any explanations about Dada. You explain to me why you exist. You haven’t the faintest idea…You will never be able to tell me why you exist but you will always be ready to maintain a serious attitude about life.”
“Dada is not at all modern. It is more in the nature of a return to an almost Buddhist religion of indifference….Dada is immobility and does not comprehend the passions…But with the same note of conviction I might maintain the contrary.”
“Nothing is more delightful than to confuse and upset people…The truth is that people love nothing but themselves and their little possessions, their income, their dog…If one is poor in spirit, one possesses a sure and indomitable intelligence, a savage logic, a point of view that cannot be shaken… Always destroy what you have in you. On random walks. Then you will be able to understand many things. You are not more intelligent than we, and we are not more intelligent than you.”
We are well aware that people in the costumes of the Renaissance were pretty much the same as the people of today, and that Chouang-Dsi (Zhuang Zi, Second Patriarch of Daoism) was just as Dada as we are.”
Tzara’s invention of the Automism method of Surrealism painters and art long after.
To make a Dadaist poem
Take a newspaper.
Take a pair of scissors.
Choose an article as long as you are planning to make your poem.
Cut out the article.
Then cut out each of the words that make up this article and put them in a bag.
Shake it gently.
Then take out the scraps one after the other in the order in which they left the bag.
Copy conscientiously.
The poem will resemble you.
And here you are a writer, infinitely original and endowed with a sensibility that is charming though beyond the understanding of the vulgar.”
Surrealism:
Gets its heritage from DADA, but had to develop beyond Nonsense as target. Still hazy in complexity, many things coming together strangely, but now with subtle underlying tensions, often of sex, danger, power, and death underlie the work. Today pop-surrealism is thriving in the Bay, LA & NY.
The surrealist poem Fable of Jarry:
A can of corned beef, on a chain like opera glasses,
Saw a lobster pass by which resembled it like a brother.
It was protected by a thick shell
On which it was written that inside,
like the can of corned beef,
it was boneless,
(Boneless and economical);
And underneath its curled-up tail
It apparently was hiding a key to open it.
Smitten with love, the sedentary corned beef
Declared to the little live self-propelling can
That if it were willing to acclimate itself
Next to it in earthly shop windows,
It would be decorated with a number of gold medals.
Conceptual Art is a development from Duchamp and other Dada & Surreal artists. It hit its heyday in the late 60s and early 70s. Now, one cannot go through a museum without seeing much of its influence. Following pieces are from Tony Godfrey’s book Conceptual Art.
Dada Duchamp’s Portrait of a Young American Girl in the State of Nudity:
A sparkplug that reads ‘for-ever’
Later, after joining the Surrealists, Duchamp wound string through the gallery of the First Papers of Surrealism exhibit, connecting everything such that no one could get through the gallery.
Rauschenberg’s contribution to Iris Clert Gallery’s exhibit of Readymades: postcard that says, “This is a portrait of Iris Clert if I say so”.
Rauschenberg’s erased De Kooning Drawing, framed and exhibited as a new work.
Manzoni drew lines of certain lengths, rolled up the paper strips, put them in boxes labeled with date and line length, sold as artwork. Also sold balloons of ‘artist’s breath’, and his own shit in cans for their weight in gold. He signed people as if they were his art.
Warhol Soup Cans & Marilyn silk screen prints: “a hundred Marilyns are better than one”, soup cans put on shelves like canned goods. Movies ‘Empire’ and ‘Sleep’, as critic Koch said, better to hear about than see.
La Monte Young composed a poem for tables, a performance piece of dragging furniture around on stage to make noises. He was one of the early performance artists who created ‘happenings’, often including audience members to take down the “fourth wall”.
Simone Forti Fluxus performance: one man try to lie down, the other try to tie first to the wall.
Morris’ Box with sound of own making: wooden box containing a tape recorder w/ loop.
Nauman read Wittgenstein passage from PI reasoning that ‘A Rose Has no Teeth” can make sense if you include the thorns or a cow in the process of rose regeneration or something else, and so he made a plaque for a tree knowing that the tree slowly grows over the plaque.
Baldessari (1971) has students cover an exhibit room with “I will not make any boring art” like students writing as punishment over and over (is this boring?).
Arnatt’s mirror boxes: positive mirror out box next to box-like hole lined with inward mirrors.
Ruppersberg’s Homage to Houdini: set of photographs documenting sinking brick chained in a suitcase of a NY pier (as Godfrey says, ‘Surprisingly, the brick did not escape’).
Michael Craig-Martin’s An Oak Tree, a glass of water on a glass shelf installed. In a dialogue posted next to the work, the artist claims that the glass of water is, in fact, now an oak tree.
The Nest Group (1978) had a piece called Let’s Come One Meter Closer, where several of the group’s artists in various places around world each dug a meter deep hole and stood in it.
Mendieta’s Rape performance: after a woman was raped and killed on campus, she recreated the scene in her apartment with herself as victim and invited friends and associates over (hopefully giving them some kind of warning, though this is not said).
Wilke’s What does this represent? What do YOU represent? A photo of a naked woman surrounded by toy guns, with two phrases above and below.
Almeida’s Inhabited painting: several photos of artist obscuring self with blue paint, then final shot takes glass she has painted and shifts it to peek out from behind it at the viewer.
For great short surreal films, watch Svankmajer.
Eric Gerlach
12/6/2010
LECTURE ON HUMOR AND ART
Philosophy can and is used for creativity, using the doubts and insights to create, playing with the boundaries and tensions of the most important things. Humor and Art are two ways of using one’s insights from Philosophy to do this. Humor and art are of course ancient, but modern art and humor are very advanced. Last time, we saw Lewis Carroll was reacting against society and Victorian strict discipline of children, showing the contradictions of authority and the assumptions we make in reasoning that are dependent upon our position in the situation.
HUMOR AS SKEPTICISM
Two early American masters of humor are Ambrose Bierce and Groucho Marx, both of whom were reacting to the horror and absurdity of the times (Bierce to the Civil War, and the Marx Brothers to WWI).
Ambrose Bierce: (1842-1914?) His Devil’s Dictionary was an early rebellious attack on society.
A San Franciscan (since 1866), he wrote bitterly about the Civil War and the corruption on both sides (Union and Confederacy) then disappeared in Mexico seeking the revolution. He had a brilliant gift with pointing out how we are all selfish and ignorant (one-sided judgments) with humor, attacking the politicians, the military, the rich, slavery, and American society.
Some Entries from his Devil’s Dictionary (1906 ‘Cynic’s Word Book’):
Absurdity, n.: A statement or belief manifestly inconsistent with one's own opinion.
Academe, n.: An ancient school where morality and philosophy were taught.
Academy, n.: A modern school where football is taught.
Acquaintance. A person whom we know well enough to borrow from, but not well enough to lend to.
Admiration, n. Our polite recognition of another's resemblance to ourselves.
Anoint, v.: To grease a king or other great functionary already sufficiently slippery.
Brain: an apparatus with which we think we think.
Conservative - a statesman who is enamored of existing evils, as distinguished from a Liberal, who wishes to replace them with others.
Corporation: An ingenious device for obtaining profit without individual responsibility.
Debt, n. An ingenious substitute for the chain and whip of the slavedriver.
Duty - that which sternly impels us in the direction of profit, along the line of desire.
Edible, adj.: Good to eat, and wholesome to digest, as a worm to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.
Egotist: a person of low taste, more interested in himself than in me.
Hashish: there is no definition of this word. No one knows what this word means.
Heaven lies about us in our infancy and the world begins lying about us pretty soon afterward.
History is an account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools.
Logic: The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding.
Love: A temporary insanity curable by marriage.
The Marx Brothers (comedians of the 20s and 30s) were early absurdists, formative for US comedy. Groucho Marx was amazing with one liners that show a beautifully complex understanding of contradictions involving human pride and judgment, very much like Bierce:
The secret of life is honesty and fair dealing. If you can fake that, you've got it made.
There is one way to find out if a man is honest; ask him! If he says yes you know he's crooked.
Why a four-year old child could understand this. Somebody find a four-year old child.
Who are you going to believe, me or your own eyes?
All people are born alike - except Republicans and Democrats.
I don't care to belong to a club that accepts people like me as members.
I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.
I have had a perfectly wonderful evening, but this wasn't it.
I've got the brain of a four year old. I'll bet he was glad to be rid of it.
Marriage is a wonderful institution, but who wants to live in an institution?
Military intelligence is a contradiction in terms.
Those are my principles, and if you don't like them... well, I have others.
Well, Art is Art, isn't it? …And east is east and west is west… and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now you tell me what you know.
MODERN ART AS SKEPTICISM
With WWI and modern warfare, there were new human horrors on previously unseen levels. Similar to the German Pessimism that influenced Schopenhauer and Nietzsche, the horrors of WWI brought great disillusionment with reason, science and society to European intellectuals, particularly for German and French youth who would have a huge impact on modern culture. Here in the Bay Area, a very similar movement happened in reaction to the Vietnam War. WWI used more machines and propaganda than ever before, and for this is often called the first modern war. Oil became the fuel of war and vehicles, planes, jeeps (and after WWI, the Middle East was carved up by European powers as the source of oil). This was the beginning of machine guns and air warfare, bombing runs, tanks.
Newspapers all became mouthpieces of the government in times of war. To European intellectuals who conversed across national lines, this showed logic and language being used for authority and empire in the name of reason. The dominant scholars often sang nationalistic praise, particularly in Philosophy departments. The students and others came together to doubt and be skeptical of the powers that be on a level that had a new intensity (fueled on Nietzsche, Marx and others).
Modern art and humor start from this point. They shatter and destroy, ‘ripping’ on the powers that be and the truths we are told by authorities. Modern art and humor put things out of joint, not resolving contradictions but bringing them explicitly out, possibly more than any culture yet. They help to simplify and focus work which is abstract and disconnected on purpose as a revolt against the positive collective power of the traditional.
DADA: “guerilla warfare against the Establishment”
During WWI (1915-1917) young intellectuals from all over Europe converged in Zurich, Switzerland. They shared an opposition to the war and traditional values. To these thinkers, the stupidity and brutality of the modern age was clearly being sold to the masses through appeals to ‘reason’, ‘order’, ‘logic’, and ‘spirit’. They found these terms to be hypocritical on a societal level, and declared a crisis of meaning: European civilization, and human reason, the new modern values, are a farce. Thus, use absurdity to bring out the contradictions in the ‘reason’ and the ‘reasonable’.
Some of these similarly minded youth converged on the Cabaret Voltaire, a beer parlor run by Hugo Ball. Jazz music was the new rage, violating old traditional standards. Ball and his friend Huelsenbeck were looking for a fake French name for a dancer in a French dictionary when they found the word dada: ‘baby talk for horse, a child’s rocking horse’. They decided that this word fit the movement that they felt was going on in Zurich. The parlor became the first home and center. Much art that was brutal and bizarre appeared here, a new turn that is critical for modern art and humor.
Dada’s two celebrated themes are brutalism and simultaneity. Their brutalism, being obscene (sex, swearing, being intoxicated, making no sense on purpose) spoke against society, violating cultural norms using absurdity and obscenity (much like later Hunter S. Thompson, South Park).
Simultaneity is the occurrence of many disconnected elements within a work, a resistance polarized against making the whole coherent. Collage involves using many different types of media blended together to create (the Dadaists were famous for using newspaper type and pictures in collage, unseen before their time). Simultaneity and collage in the hands of the Dadaists were used to portray disconnected life, impossible to know as a complete and finished system. This is both a celebration and a protest, loving yet fearing the contradictions of the world. The Dadaists invented an impressive set of ‘new’ art forms, including abstract sound poems, abstract (mechanical) music, found art (garbage collage), simultaneous poetry (the reading of many poems at once), and abstract painting.
Out of Zurich, Switzerland and Berlin, Germany, the Dada movement began and quickly spread to Paris, New York, Moscow, Tokyo, and across the whole world. Our modern culture, which is not simply Western but global, includes the deep and playful skepticism of DADA. The Beatniks and Hippies of the Bay picked up the Motherwell anthology as a major source.
Great DADA Moments & Quotes:
In one of the first shows at the Cabaret Voltaire, Schwitters showed the audience a one letter poem, a card with a large ‘W’. He then started to recite the poem, starting with a whisper and ending in a loud wailing siren.
In April of 1920, Orp, Baargeld and Ernst put on an infamous Dada show in Cologne, France. Sitting next to a tank of red tinted water with an alarm clock submerged at the bottom, Ernst had created a wooden sculpture with an axe chained to it. A sign invited anyone who wished to use the axe to help destroy the sculpture. In a Paris exhibit of Ernst’s work, invitations read: “at 22 o’clock the kangaroo, at 22:30 high frequency, at 23 o’clock distribution of surprises, after 23:30 intimacies.” The exhibit itself was a Dada performance. Breton munched matches, Ribemont-Dessaignes kept shouting, ‘It is raining on a skull’, Soupault and Tzara played a game of hide and seek, while Peret and Charchoune continuously shook hands. These performances are early precursors to performance art (which culminated in Situationalism and Fluxus, of which Yoko Ono was a prominent figure).
Huelsenbeck
“It’s a fucked-up foolish world. You walk aimlessly along, fixing up a philosophy for supper. But before you have it ready, the mailman brings you the first telegram, announcing that all your pigs have died of rabies, your dinner jacket has been thrown off the Eiffel Tower, your housekeeper has come down with the epizootic. You give a startled look at the moon, which seems to you like a good investment, and the same postman brings you a telegram announcing that all your chickens have died of hoof and mouth disease, your father has fallen on a pitchfork and frozen to death, your mother has burst with sorrow on the occasion of her silver wedding (maybe the frying pan stuck to her ears, how do I know?). That’s life, dear fellow.”
“The Germans are the masters of dissembling, they are unquestionably the magicians (in the vaudeville sense) among nations, in every moment of their life they conjure up a culture, a spirit, a superiority which they can hold as a shield in front of their endangered bellies.”
“The highest art will be that which in its conscious content presents the thousand-fold problems of the day, the art which has been visibly shattered by the explosions of last week, which is forever trying to collect its limbs after yesterday’s crash.”
Tristan Tzara
The foremost Dada manifesto writer, Tzara was famous for reading his manifestoes interspersed in Dada performances. He was a leader of the movement in Zurich, and then later in Paris, where the European scene is considered to have migrated with him.
From Tzara’s Dada Manifestos:
“Dada remains within the European frame of weakness it’s shit after all but from now on we mean to shit in assorted colors and bedeck the artistic zoo with the flags of every consulate.”
“Dada exists for no one and we want everybody to understand this because it is the balcony of Dada, I assure you.”
“I love you so I swear I do adore you.”
“If I cry out: Ideal, ideal, ideal, Knowledge, knowledge, knowledge, Boomboom, boomboom, boomboom,” I have given a pretty faithful version of progress, law, morality, and all other fine qualities that various highly intelligent men have discussed in so many books, only to conclude that after all everyone dances to his own personal boomboom, and that the writer is entitled to his boomboom: the satisfaction of pathological curiosity; a private bell for inexplicable needs…”
“I am against all systems, the most acceptable system is on principle to have none. To complete oneself, to perfect oneself in one’s own littleness, to fill the vessel with one’s individuality, to have the courage to fight for and against thought, the mystery of bread, the sudden burst of an infernal propeller into economic lilies…”
“Here is the great secret: The thought is made in the mouth.
I still consider myself very charming.”
“A great Canadian philosopher has said: thought and the past are also very charming.”
(Here, the genders on ‘thought’ and ‘past’ are reversed, a common way of mocking Americans speaking French.)
From Tzara’s Lecture on Dada (1922)
“I know that you have come here today to hear explanations. Well, don’t expect to hear any explanations about Dada. You explain to me why you exist. You haven’t the faintest idea…You will never be able to tell me why you exist but you will always be ready to maintain a serious attitude about life.”
“Dada is not at all modern. It is more in the nature of a return to an almost Buddhist religion of indifference….Dada is immobility and does not comprehend the passions…But with the same note of conviction I might maintain the contrary.”
“Nothing is more delightful than to confuse and upset people…The truth is that people love nothing but themselves and their little possessions, their income, their dog…If one is poor in spirit, one possesses a sure and indomitable intelligence, a savage logic, a point of view that cannot be shaken… Always destroy what you have in you. On random walks. Then you will be able to understand many things. You are not more intelligent than we, and we are not more intelligent than you.”
We are well aware that people in the costumes of the Renaissance were pretty much the same as the people of today, and that Chouang-Dsi (Zhuang Zi, Second Patriarch of Daoism) was just as Dada as we are.”
Tzara’s invention of the Automism method of Surrealism painters and art long after.
To make a Dadaist poem
Take a newspaper.
Take a pair of scissors.
Choose an article as long as you are planning to make your poem.
Cut out the article.
Then cut out each of the words that make up this article and put them in a bag.
Shake it gently.
Then take out the scraps one after the other in the order in which they left the bag.
Copy conscientiously.
The poem will resemble you.
And here you are a writer, infinitely original and endowed with a sensibility that is charming though beyond the understanding of the vulgar.”
Surrealism:
Gets its heritage from DADA, but had to develop beyond Nonsense as target. Still hazy in complexity, many things coming together strangely, but now with subtle underlying tensions, often of sex, danger, power, and death underlie the work. Today pop-surrealism is thriving in the Bay, LA & NY.
The surrealist poem Fable of Jarry:
A can of corned beef, on a chain like opera glasses,
Saw a lobster pass by which resembled it like a brother.
It was protected by a thick shell
On which it was written that inside,
like the can of corned beef,
it was boneless,
(Boneless and economical);
And underneath its curled-up tail
It apparently was hiding a key to open it.
Smitten with love, the sedentary corned beef
Declared to the little live self-propelling can
That if it were willing to acclimate itself
Next to it in earthly shop windows,
It would be decorated with a number of gold medals.
Conceptual Art is a development from Duchamp and other Dada & Surreal artists. It hit its heyday in the late 60s and early 70s. Now, one cannot go through a museum without seeing much of its influence. Following pieces are from Tony Godfrey’s book Conceptual Art.
Dada Duchamp’s Portrait of a Young American Girl in the State of Nudity:
A sparkplug that reads ‘for-ever’
Later, after joining the Surrealists, Duchamp wound string through the gallery of the First Papers of Surrealism exhibit, connecting everything such that no one could get through the gallery.
Rauschenberg’s contribution to Iris Clert Gallery’s exhibit of Readymades: postcard that says, “This is a portrait of Iris Clert if I say so”.
Rauschenberg’s erased De Kooning Drawing, framed and exhibited as a new work.
Manzoni drew lines of certain lengths, rolled up the paper strips, put them in boxes labeled with date and line length, sold as artwork. Also sold balloons of ‘artist’s breath’, and his own shit in cans for their weight in gold. He signed people as if they were his art.
Warhol Soup Cans & Marilyn silk screen prints: “a hundred Marilyns are better than one”, soup cans put on shelves like canned goods. Movies ‘Empire’ and ‘Sleep’, as critic Koch said, better to hear about than see.
La Monte Young composed a poem for tables, a performance piece of dragging furniture around on stage to make noises. He was one of the early performance artists who created ‘happenings’, often including audience members to take down the “fourth wall”.
Simone Forti Fluxus performance: one man try to lie down, the other try to tie first to the wall.
Morris’ Box with sound of own making: wooden box containing a tape recorder w/ loop.
Nauman read Wittgenstein passage from PI reasoning that ‘A Rose Has no Teeth” can make sense if you include the thorns or a cow in the process of rose regeneration or something else, and so he made a plaque for a tree knowing that the tree slowly grows over the plaque.
Baldessari (1971) has students cover an exhibit room with “I will not make any boring art” like students writing as punishment over and over (is this boring?).
Arnatt’s mirror boxes: positive mirror out box next to box-like hole lined with inward mirrors.
Ruppersberg’s Homage to Houdini: set of photographs documenting sinking brick chained in a suitcase of a NY pier (as Godfrey says, ‘Surprisingly, the brick did not escape’).
Michael Craig-Martin’s An Oak Tree, a glass of water on a glass shelf installed. In a dialogue posted next to the work, the artist claims that the glass of water is, in fact, now an oak tree.
The Nest Group (1978) had a piece called Let’s Come One Meter Closer, where several of the group’s artists in various places around world each dug a meter deep hole and stood in it.
Mendieta’s Rape performance: after a woman was raped and killed on campus, she recreated the scene in her apartment with herself as victim and invited friends and associates over (hopefully giving them some kind of warning, though this is not said).
Wilke’s What does this represent? What do YOU represent? A photo of a naked woman surrounded by toy guns, with two phrases above and below.
Almeida’s Inhabited painting: several photos of artist obscuring self with blue paint, then final shot takes glass she has painted and shifts it to peek out from behind it at the viewer.
For great short surreal films, watch Svankmajer.
Thursday, December 2, 2010
Logic: Hegel & Fallacies
Hegel (1770-1831) had two major ideas that became very influential for later thinkers. The first is historical explanation or explanation by process. Hegel argues that things are not simply what they are at once, but evolve through stages to become what they are, and the process by which they evolve show us how the things essentially work. Also, things are not simply what they are in themselves but are what they are in a situation with other things in which they become what they are (very like the Buddhist concept of co-dependent arising). After Hegel, Marx, Darwin, Freud and Feuerbach were major thinkers who overturned old theories of static order with new theories of process to explain the workings of the mind and society. Consider that Newton thought God made the earth at the very beginning in an instant, while most believe today that there was a process by which our planet, the solar system and the galaxy formed. Consider the controversy about evolution and Darwin, and how this questions our human-centered view of reality.
Hegel’s second major idea, the mechanism or motion of evolution over time, is dialectic. Dialectic is a Greek term for arguing back and forth, for and against a position, to come to greater understanding. Plato believed dialectic was the superior method of acquiring knowledge, and his dialogue plays show Socrates arguing against others and himself in this way. Hegel argues that all things are made of oppositions or contradictions (contra-diction means “arguing against”, like arguing both sides, the pros and cons, of a particular thing). This is not only similar to Lao Zi’s wheel (made of both solid and empty together), but Newton’s idea that for every force there is an equal but opposite force.
While this has become controversial, many believe that Hegel’s dialectic works in a three stage pattern of positive, negative and synthesis. Hegel often presents our ideas (which live in the world as politics and our shared expectations) as starting out positive, flipping and becoming negative, and then reaching a resolution of positive and negative as a joined whole. Remember Lao Zi’s wheel leads us through this three stage process (solid at first, then empty, then both), as does the famous Zen quote that first a rock is a rock, then a rock isn’t a rock (it is in the mind, as a concept) and then a rock is a rock (real rock and concept together as the rock).
Hegel argues that by looking at things as evolving over time in a situation, not immediate and isolated, and looking at things as two sided and in opposition to themselves and others, rather than categorical and without tension, we can come to understand how things actually are, which is a union (while an opposition) of how they are in the mind and how they are in the world.
In his first major work, The Phenomenology of Mind/Spirit (1806), Hegel gives us his social history of society and philosophy evolving by stages to the present day. In his second major work, The Science of Logic (1816), Hegel gives us his psychology. We will look at the overall structure and some key ideas of each, spending more time on the Logic which has become one of my favorites. Americans have only begun studying Hegel, because Hegel had a student named Marx who took Hegel’s concept of dialectic and used it to father communism. Communists like Hegel’s Logic very much, and so American and British universities did not teach much Hegel and when they do they often teach the Phenomenology but not the Logic. This is unfortunate, because while Hegel’s ideas about history in the Phenomenology are quite antiquated today I have great hope that there is more to be discovered by looking at the Logic in the light of the discoveries of modern psychology, especially the work of Piaget the child psychologist.
THE LOGIC
After writing the Phenomenology, Hegel came to realize that he had not described the inner workings of the dialectical process of history to his liking. Hegel believed the world consisted of ideas, so he leaves history behind and turns to the workings of ideas in the mind. To show the inner psychology at work in every stage of historical development, he wrote his Logic which like the Phenomenology unfolds in three stages as positive, negative and synthesis, but instead of Orientals, Greeks and Germans, the three stages of the Logic are Being, Essence, and Concept.
Like Neo-Platonism, thought has to gather everything up such that all categories become modes or branches of the same thing. It does this with Understanding which holds things fast in sameness and Reason which divides things against each other and against themselves, opposing the Understanding. Understanding wants to keep ideas as they are and separate from each other, while Reason wants to change ideas and unite them all together as a whole. The mind craves unity, objectivity as the all-view, which pulls it in two directions. First, it wants to hold on to the unities of the understanding and keep them away from reason tearing them apart. However, reason wants to dissolve everything and return it all to the Absolute, or the undivided One. Thus, the motions rock back and forth in stages. It would thus be correct to say that, the way Hegel describes it, conservatives would rather understand than reason and liberals would rather reason than understand.
At each stage, the Understanding comes to change its shape and provide the ground for the back and forth positions of reason which share the same understanding(s). Philosophies, political positions and scientific theories reason against each other even as they share the common understandings of the time and place. Thus, Hegel says there really is only one philosophy which is ‘thought’ itself, and the philosophies are views, perspectives within the one dialectical course of things which is thought.
Why is it opposed to itself? Where did this come from? Interestingly, Hegel writes that we need to start with ‘legend’ of the fall of man, of Adam falling out of the Garden of Eden. Hegel says the inner meaning is what is important (a similar reading to Deists of his time in Europe, who see the bible as true psychologically but not literal). When Adam, or consciousness, falls into the world out of unity with all, it falls into oppositions and tensions, polarities that present one side and hide the other. Today, we can describe the fall from unity either in physics as the Big Bang or in psychology as the infant mind learning to discern itself and others in the world (Piaget).
Hegel calls judgment ‘the one-sided acid’. Categories are thus gathered, assumed, by the Understanding. (God)(IS), (You)(Are), (this)(is), the anchor points of Descartes. However, these are inadequate. First, they are one sided, and so dogmatic, stuck. They are divided from each other and the All, so reason is not satisfied and tries to figure out how all of these separate categories are one in reality, or the big One or All. Second, they are almost entirely empty of content, making them almost no different from empty. This is exactly how Hegel is critical of Kant’s categories and the gap he leaves between mind and world.
(68) “Kant, it is well known, did not put himself to much trouble in discovering the categories.”
“Kant, as we must add, never got beyond the negative result that the thing-in-itself is unknowable, and never penetrated to the discovery of what the antinomies really and positively mean. That true and positive meaning of the antinomies is this: that every actual thing involves a coexistence of opposed elements. Consequently to know, or, in other words, to comprehend an object is equivalent to being conscious of it as a concrete unity of opposed determinations. The old metaphysic, as we have already seen, when it studied the objects of which it sought a metaphysical knowledge, went to work by applying categories abstractly and to the exclusion of their opposites.”
(118) “However reluctant Understanding may be to admit the action of Dialectic, we must not suppose that the recognition of its existence is peculiarly confined to the philosopher. It would be truer to say that Dialectic gives expression to a law which is felt in all other grades of consciousness, and in general experience. Everything that surrounds us may be viewed as an instance of Dialectic.”
Hegel writes that the feeling of being alive is to feel contradiction within oneself, at rest in itself but at the same time moving itself beyond itself. It both wants to stay and go at once, and does. Similarly, the Soviet literary critic and thinker Bakhtin said that when we think we are in dialogue with ourselves, are opposed to ourselves on opposite sides.
BEING, NOTHING AND BECOMING
In the Phenomenology, Hegel argues that Heraclitus realized the unity of Being and Non-Being as ceaseless Becoming, as the flux of the cosmic fire. Hegel says that some say no one is capable of understanding contradiction, but Hegel points to Heraclitus and argues that to come to the next level in your understanding your reason has to see both sides and unite them in the cement of the understanding, which is what Heraclitus did for the Greeks such that they could rise beyond the Orientals to the next level. Hegel says that if we imagine any transformation or change or motion, we are seeing being and nonbeing as one like Heraclitus. It is merely recognizing it that is the hard part. Hegel says that this is the hurdle that prevents the common person from being a philosopher, and the reason that the great thinkers and revolutions in thought are rare. In fact, often it takes decades after the thinker’s death for their ideas to become accepted, further proof that the great thinker must unite the old with the opposite direction of the new and this is the barrier between the new idea and the common understanding of the people.
Once thought realizes becoming as the unity of the being of things and their non-being (their temporary being in time and their not being other things), thought still does not have enough to understand each and every thing or how they fit into the All as one. Thought tries to understand the individual beings of the world and the world itself as constant becoming, like Heraclitus, but this does not show us how things are interrelated. This is exactly how Kant was frustrated with Hume, because everything being an assumption does not tell us what things are specifically.
Thought must explore two opposite directions to try to find the meaning of individual things. First, it tries to understand things by their qualities (such as green, square, closed), but this moves away from the things themselves towards abstract ideas. Second, thought tries to understand things by their quantities, with each thing being a one itself and being a quantity of many parts and being in a group of many members. Unfortunately, this leaves each being as merely a thing, and tells us nothing about the specific differences between types of things. Notice that quality and quantity are the two opposite sides to our abstractions of things, the two ways we isolate and abstract, through thought, the parts and ways of things. Consider that your hand is not explainable simply by its shape, or color, or texture, any more than its being one hand with five fingers, though all of this together tells me much about my hand. To understand your hand, you have to see it in context, in the world used with other things, as well as understand the qualities and quantities of the hand.
Thought now tries to understand things in terms of essences, and these essences in terms of their qualities and quantities. Remember that Hegel in his Phenomenology saw Plato as the union of Heraclitus and Parmenides, that Plato thought things have ideal essences in the stars that cause them to be what they are, and that Platonism was the major school of thought in middle-age Europe to which Hegel acknowledges he owes many insights.
Because thought could not understand things in their qualities and quantities, it tries to understand things by putting them in groups and then understanding the qualities and quantities of these groups. It puts these as essences outside the world as Plato put them up in the stars, in another more modern way “in” things and their groups as their “nature”. The problem with this stage is that this still puts things as isolated and does not understand them in a situation as mutually interdependent. It seeks the meaning of the thing in the group where it could not find it in the individual, but this still isolates things even as it puts them in groups. Hegel is very aware that modern science is often in this mode, isolating things and finding new truths about their exclusive natures. For Hegel, Plato’s forms, Kant’s categories and scientific theories are good but they are not complete because they do not understand how things cannot be separate from each other if we want our knowledge to be like the world, in which everything fits together.
Just as qualities are non-beings within beings, essences are also non-beings within beings, but a core is sought beyond and opposed to outer qualities or bunches of quantities. Thought has turned on itself yet preserved itself, trying to understand the real as merely the idea. It would be like saying that the hand is really the ideal hand, rather than a hand in the real world which we idealize. Thought is struggling to grasp the unity of the mind and the world, of our ideas of things and the real things themselves. Remember Kant left a complete gap between the fully certain categories of the mind and the unknown world-in-itself. Just as beings were opposed to themselves and others, Hegel says that essences, if they remain many and are not gathered into a trunk of the All still have contradictions in themselves and against each-other and so they are opposed to unity.
What, then, moves us beyond Kant’s categories and isolated essences? The process of dialectic, which grasps the unity of sameness and difference, of one and many, and of necessity and freedom, as it did with Being and Non-Being before at the first stage. The idea and the thing are realized as one in the Concept, which includes the thought and thing. When we see that the world is in our minds and in itself together as one, that things are our ideas about them and themselves for us as one that is also many, this is for Hegel Actuality, the final stage. It is grasped by the mind, but in extension is the view of the real world and all that it is or could be.
Interesting for Chaos Theory, Quantum Theory and more modern developments of mathematics and science, Hegel writes that seeing the unity of necessity and freedom is the final hurdle. To see that no part of reality is absolutely necessary, but no part is absolutely free, and the two hang together as opposites always like light and darkness, this is the final stage that lets us see things as they are. This would be the final and total grasp of the wheel as solid and empty, or the rock as thing and perception/assumption.
Now, Hegel believes, reason goes forth as true science and simply Nature itself, with a ground to continue to investigate and understand things with all the branching of the Idea by which we could ever understand them to be. All becomes a single Idea, that is one with the world.
Unlike Hegel and Right wing Hegelians, who believe that the system has been achieved, Left Hegelians (most famously Marx) believe that evolution is constant and unending for the system, not just the knowledge it acquires and that we are constantly taking positions that are one-sided that need to be complimented by the opposite perspective. Many of the latest European thinkers have been powerfully affected by this leftist Hegelian view.
FALLACIES
Fallacies, like Hegel and Wittgenstein’s later thinking, go beyond formal logic equations as forms or arrangements of life, games of behavior. As everything is contingent on the world, institutions and cultures of human beings, including any formalized logic, there is no sure way to argue correctly but rather the correctness of an argument depends on how it is used or abused in the living situation.
We are going to talk about some of the famous fallacies that experts of logic discuss, even though there is not one set list of these fallacies nor a system of their structures.
(I found three different but overlapping lists in the three texts I reviewed for the class).
Appeal to Authority:
This has only become more and more complex with the passing of time.
Ex: ‘The police chief said that those people are evil’.
Ex: ‘If you brush with whatever toothpaste, 9 out of 10 scientists we gathered into a list to look just that way think you are awesome’.
Straw Man:
The ‘Straw Man’ refers to setting up a scarecrow as a fake person.
One essentializes the opponent’s position in a bad way, setting up their argument or position in a way that makes it easy to knock down. This is one of the most common fallacies that people accuse each other of doing: ‘My opponent is misrepresenting my position on the issues’.
If you pull particular details or properties out of an opponent’s argument to knock it down, it can lead to over-essentializing and simplifying the position to the degree that your opponent will claim that you are not adequately representing their position on the issue. It’s setting out a puppet of the opponent’s argument, like setting up a puppet governor of a country. The puppet is not going to resist you.
The slippery slope is an excellent way of setting up a straw man, drawing out a detail to absurdity, which is then easily dismissed. It is the easiest example to draw of a SM:
Slippery Slope:
One takes a consequence of the opponent’s position and blows it out of proportion.
Example: ‘Well, if you legalize drugs people will try them, see there is no consequences, and then everyone will be doing them and civilization will collapse’.
This person took the consequence of some new users and it slides all the way down the slippery slope of over-simplifying judgment to everyone becoming an addict.
Another Example: ‘If you want to legalize homosexuality, then you want to legalize all sexual conduct, including pedophilia. Thus you must be evil and wrong.’
The opponent would say, ‘I didn’t say legalize ALL sex…you are setting up my position as a straw man’ (OR, equally), ‘That’s a slippery slope’
A slippery slope focuses on one thing, while a straw man can have any complex of setting up an opponent’s position such that it is much easier to disprove when you say it rather than the opponent.
Appeal to Emotion:
Many types- one for every sort of emotion or desired goal
Advertising, of course, appeals to desires for success, for happiness, for respect and status, appealing to both the desire for the positive and fear of the negative.
Appeal to Force:
Ex: If you don’t believe me, Islamic extremists will eat your baby.
Ex: If you are wrong about this, everything will unravel and society will collapse.
Notice how this is a special kind of slippery slope, which assumes the worst consequences that threaten the opponent or audience.
Appeal to Pity:
Ex: ‘If we don’t do it like I say, small children will cry’.
Ex: ‘This particular country has been poor for hundreds of years, so we should totally sell them a bunch of weapons to make them feel better about themselves’.
Appeal to Ignorance:
There are things about X we don’t know, so my opponent isn’t sure that X is Y.
Notice that this is also ‘sharing the fault’ of the Nyaya Sutra.
Ex: Bush head of AAS on global warming as ‘just a theory’
Red Herring:
Also ‘Missing the point’, taking the argument after an issue that does not decide the original issue being argued.
Ex: ‘You keep talking about the time that Gandhi stole cookies as a four year old child, but this is really a red herring…Your side needs to stop bringing this up and thinking that it demonstrates that he was evil.’
One type of Red Herring, certainly the most popular-
Personal Attack:
When one attacks the opponent and not the opponent’s argument. This also applies to attacking the way the opponent always argues but not the argument itself.
Ex: ‘You cannot believe a word my opponent says, because she/he is a communist/Mormon/atheist/aquatic fowl etc.’
Ex: ‘You’re just crazy…I don’t listen to crazy talk from crazy people.’
Fallacy of Composition and Fallacy of Division:
Wrongly attributing property of part to whole, and whole to part.
These are interlaced with the fallacies so far.
Ex of Fallacy of Composition:
If water is wet, and water is 3/5ths the human, then the human being is essentially wet.
If San Francisco and LA are very liberal, then California is very liberal.
Ex of Fallacy of Division:
If water is wet, and water is H2O, then Hydrogen must be wet.
If California is very liberal, then Fresno must be rocking liberal.
Hegel’s second major idea, the mechanism or motion of evolution over time, is dialectic. Dialectic is a Greek term for arguing back and forth, for and against a position, to come to greater understanding. Plato believed dialectic was the superior method of acquiring knowledge, and his dialogue plays show Socrates arguing against others and himself in this way. Hegel argues that all things are made of oppositions or contradictions (contra-diction means “arguing against”, like arguing both sides, the pros and cons, of a particular thing). This is not only similar to Lao Zi’s wheel (made of both solid and empty together), but Newton’s idea that for every force there is an equal but opposite force.
While this has become controversial, many believe that Hegel’s dialectic works in a three stage pattern of positive, negative and synthesis. Hegel often presents our ideas (which live in the world as politics and our shared expectations) as starting out positive, flipping and becoming negative, and then reaching a resolution of positive and negative as a joined whole. Remember Lao Zi’s wheel leads us through this three stage process (solid at first, then empty, then both), as does the famous Zen quote that first a rock is a rock, then a rock isn’t a rock (it is in the mind, as a concept) and then a rock is a rock (real rock and concept together as the rock).
Hegel argues that by looking at things as evolving over time in a situation, not immediate and isolated, and looking at things as two sided and in opposition to themselves and others, rather than categorical and without tension, we can come to understand how things actually are, which is a union (while an opposition) of how they are in the mind and how they are in the world.
In his first major work, The Phenomenology of Mind/Spirit (1806), Hegel gives us his social history of society and philosophy evolving by stages to the present day. In his second major work, The Science of Logic (1816), Hegel gives us his psychology. We will look at the overall structure and some key ideas of each, spending more time on the Logic which has become one of my favorites. Americans have only begun studying Hegel, because Hegel had a student named Marx who took Hegel’s concept of dialectic and used it to father communism. Communists like Hegel’s Logic very much, and so American and British universities did not teach much Hegel and when they do they often teach the Phenomenology but not the Logic. This is unfortunate, because while Hegel’s ideas about history in the Phenomenology are quite antiquated today I have great hope that there is more to be discovered by looking at the Logic in the light of the discoveries of modern psychology, especially the work of Piaget the child psychologist.
THE LOGIC
After writing the Phenomenology, Hegel came to realize that he had not described the inner workings of the dialectical process of history to his liking. Hegel believed the world consisted of ideas, so he leaves history behind and turns to the workings of ideas in the mind. To show the inner psychology at work in every stage of historical development, he wrote his Logic which like the Phenomenology unfolds in three stages as positive, negative and synthesis, but instead of Orientals, Greeks and Germans, the three stages of the Logic are Being, Essence, and Concept.
Like Neo-Platonism, thought has to gather everything up such that all categories become modes or branches of the same thing. It does this with Understanding which holds things fast in sameness and Reason which divides things against each other and against themselves, opposing the Understanding. Understanding wants to keep ideas as they are and separate from each other, while Reason wants to change ideas and unite them all together as a whole. The mind craves unity, objectivity as the all-view, which pulls it in two directions. First, it wants to hold on to the unities of the understanding and keep them away from reason tearing them apart. However, reason wants to dissolve everything and return it all to the Absolute, or the undivided One. Thus, the motions rock back and forth in stages. It would thus be correct to say that, the way Hegel describes it, conservatives would rather understand than reason and liberals would rather reason than understand.
At each stage, the Understanding comes to change its shape and provide the ground for the back and forth positions of reason which share the same understanding(s). Philosophies, political positions and scientific theories reason against each other even as they share the common understandings of the time and place. Thus, Hegel says there really is only one philosophy which is ‘thought’ itself, and the philosophies are views, perspectives within the one dialectical course of things which is thought.
Why is it opposed to itself? Where did this come from? Interestingly, Hegel writes that we need to start with ‘legend’ of the fall of man, of Adam falling out of the Garden of Eden. Hegel says the inner meaning is what is important (a similar reading to Deists of his time in Europe, who see the bible as true psychologically but not literal). When Adam, or consciousness, falls into the world out of unity with all, it falls into oppositions and tensions, polarities that present one side and hide the other. Today, we can describe the fall from unity either in physics as the Big Bang or in psychology as the infant mind learning to discern itself and others in the world (Piaget).
Hegel calls judgment ‘the one-sided acid’. Categories are thus gathered, assumed, by the Understanding. (God)(IS), (You)(Are), (this)(is), the anchor points of Descartes. However, these are inadequate. First, they are one sided, and so dogmatic, stuck. They are divided from each other and the All, so reason is not satisfied and tries to figure out how all of these separate categories are one in reality, or the big One or All. Second, they are almost entirely empty of content, making them almost no different from empty. This is exactly how Hegel is critical of Kant’s categories and the gap he leaves between mind and world.
(68) “Kant, it is well known, did not put himself to much trouble in discovering the categories.”
“Kant, as we must add, never got beyond the negative result that the thing-in-itself is unknowable, and never penetrated to the discovery of what the antinomies really and positively mean. That true and positive meaning of the antinomies is this: that every actual thing involves a coexistence of opposed elements. Consequently to know, or, in other words, to comprehend an object is equivalent to being conscious of it as a concrete unity of opposed determinations. The old metaphysic, as we have already seen, when it studied the objects of which it sought a metaphysical knowledge, went to work by applying categories abstractly and to the exclusion of their opposites.”
(118) “However reluctant Understanding may be to admit the action of Dialectic, we must not suppose that the recognition of its existence is peculiarly confined to the philosopher. It would be truer to say that Dialectic gives expression to a law which is felt in all other grades of consciousness, and in general experience. Everything that surrounds us may be viewed as an instance of Dialectic.”
Hegel writes that the feeling of being alive is to feel contradiction within oneself, at rest in itself but at the same time moving itself beyond itself. It both wants to stay and go at once, and does. Similarly, the Soviet literary critic and thinker Bakhtin said that when we think we are in dialogue with ourselves, are opposed to ourselves on opposite sides.
BEING, NOTHING AND BECOMING
In the Phenomenology, Hegel argues that Heraclitus realized the unity of Being and Non-Being as ceaseless Becoming, as the flux of the cosmic fire. Hegel says that some say no one is capable of understanding contradiction, but Hegel points to Heraclitus and argues that to come to the next level in your understanding your reason has to see both sides and unite them in the cement of the understanding, which is what Heraclitus did for the Greeks such that they could rise beyond the Orientals to the next level. Hegel says that if we imagine any transformation or change or motion, we are seeing being and nonbeing as one like Heraclitus. It is merely recognizing it that is the hard part. Hegel says that this is the hurdle that prevents the common person from being a philosopher, and the reason that the great thinkers and revolutions in thought are rare. In fact, often it takes decades after the thinker’s death for their ideas to become accepted, further proof that the great thinker must unite the old with the opposite direction of the new and this is the barrier between the new idea and the common understanding of the people.
Once thought realizes becoming as the unity of the being of things and their non-being (their temporary being in time and their not being other things), thought still does not have enough to understand each and every thing or how they fit into the All as one. Thought tries to understand the individual beings of the world and the world itself as constant becoming, like Heraclitus, but this does not show us how things are interrelated. This is exactly how Kant was frustrated with Hume, because everything being an assumption does not tell us what things are specifically.
Thought must explore two opposite directions to try to find the meaning of individual things. First, it tries to understand things by their qualities (such as green, square, closed), but this moves away from the things themselves towards abstract ideas. Second, thought tries to understand things by their quantities, with each thing being a one itself and being a quantity of many parts and being in a group of many members. Unfortunately, this leaves each being as merely a thing, and tells us nothing about the specific differences between types of things. Notice that quality and quantity are the two opposite sides to our abstractions of things, the two ways we isolate and abstract, through thought, the parts and ways of things. Consider that your hand is not explainable simply by its shape, or color, or texture, any more than its being one hand with five fingers, though all of this together tells me much about my hand. To understand your hand, you have to see it in context, in the world used with other things, as well as understand the qualities and quantities of the hand.
Thought now tries to understand things in terms of essences, and these essences in terms of their qualities and quantities. Remember that Hegel in his Phenomenology saw Plato as the union of Heraclitus and Parmenides, that Plato thought things have ideal essences in the stars that cause them to be what they are, and that Platonism was the major school of thought in middle-age Europe to which Hegel acknowledges he owes many insights.
Because thought could not understand things in their qualities and quantities, it tries to understand things by putting them in groups and then understanding the qualities and quantities of these groups. It puts these as essences outside the world as Plato put them up in the stars, in another more modern way “in” things and their groups as their “nature”. The problem with this stage is that this still puts things as isolated and does not understand them in a situation as mutually interdependent. It seeks the meaning of the thing in the group where it could not find it in the individual, but this still isolates things even as it puts them in groups. Hegel is very aware that modern science is often in this mode, isolating things and finding new truths about their exclusive natures. For Hegel, Plato’s forms, Kant’s categories and scientific theories are good but they are not complete because they do not understand how things cannot be separate from each other if we want our knowledge to be like the world, in which everything fits together.
Just as qualities are non-beings within beings, essences are also non-beings within beings, but a core is sought beyond and opposed to outer qualities or bunches of quantities. Thought has turned on itself yet preserved itself, trying to understand the real as merely the idea. It would be like saying that the hand is really the ideal hand, rather than a hand in the real world which we idealize. Thought is struggling to grasp the unity of the mind and the world, of our ideas of things and the real things themselves. Remember Kant left a complete gap between the fully certain categories of the mind and the unknown world-in-itself. Just as beings were opposed to themselves and others, Hegel says that essences, if they remain many and are not gathered into a trunk of the All still have contradictions in themselves and against each-other and so they are opposed to unity.
What, then, moves us beyond Kant’s categories and isolated essences? The process of dialectic, which grasps the unity of sameness and difference, of one and many, and of necessity and freedom, as it did with Being and Non-Being before at the first stage. The idea and the thing are realized as one in the Concept, which includes the thought and thing. When we see that the world is in our minds and in itself together as one, that things are our ideas about them and themselves for us as one that is also many, this is for Hegel Actuality, the final stage. It is grasped by the mind, but in extension is the view of the real world and all that it is or could be.
Interesting for Chaos Theory, Quantum Theory and more modern developments of mathematics and science, Hegel writes that seeing the unity of necessity and freedom is the final hurdle. To see that no part of reality is absolutely necessary, but no part is absolutely free, and the two hang together as opposites always like light and darkness, this is the final stage that lets us see things as they are. This would be the final and total grasp of the wheel as solid and empty, or the rock as thing and perception/assumption.
Now, Hegel believes, reason goes forth as true science and simply Nature itself, with a ground to continue to investigate and understand things with all the branching of the Idea by which we could ever understand them to be. All becomes a single Idea, that is one with the world.
Unlike Hegel and Right wing Hegelians, who believe that the system has been achieved, Left Hegelians (most famously Marx) believe that evolution is constant and unending for the system, not just the knowledge it acquires and that we are constantly taking positions that are one-sided that need to be complimented by the opposite perspective. Many of the latest European thinkers have been powerfully affected by this leftist Hegelian view.
FALLACIES
Fallacies, like Hegel and Wittgenstein’s later thinking, go beyond formal logic equations as forms or arrangements of life, games of behavior. As everything is contingent on the world, institutions and cultures of human beings, including any formalized logic, there is no sure way to argue correctly but rather the correctness of an argument depends on how it is used or abused in the living situation.
We are going to talk about some of the famous fallacies that experts of logic discuss, even though there is not one set list of these fallacies nor a system of their structures.
(I found three different but overlapping lists in the three texts I reviewed for the class).
Appeal to Authority:
This has only become more and more complex with the passing of time.
Ex: ‘The police chief said that those people are evil’.
Ex: ‘If you brush with whatever toothpaste, 9 out of 10 scientists we gathered into a list to look just that way think you are awesome’.
Straw Man:
The ‘Straw Man’ refers to setting up a scarecrow as a fake person.
One essentializes the opponent’s position in a bad way, setting up their argument or position in a way that makes it easy to knock down. This is one of the most common fallacies that people accuse each other of doing: ‘My opponent is misrepresenting my position on the issues’.
If you pull particular details or properties out of an opponent’s argument to knock it down, it can lead to over-essentializing and simplifying the position to the degree that your opponent will claim that you are not adequately representing their position on the issue. It’s setting out a puppet of the opponent’s argument, like setting up a puppet governor of a country. The puppet is not going to resist you.
The slippery slope is an excellent way of setting up a straw man, drawing out a detail to absurdity, which is then easily dismissed. It is the easiest example to draw of a SM:
Slippery Slope:
One takes a consequence of the opponent’s position and blows it out of proportion.
Example: ‘Well, if you legalize drugs people will try them, see there is no consequences, and then everyone will be doing them and civilization will collapse’.
This person took the consequence of some new users and it slides all the way down the slippery slope of over-simplifying judgment to everyone becoming an addict.
Another Example: ‘If you want to legalize homosexuality, then you want to legalize all sexual conduct, including pedophilia. Thus you must be evil and wrong.’
The opponent would say, ‘I didn’t say legalize ALL sex…you are setting up my position as a straw man’ (OR, equally), ‘That’s a slippery slope’
A slippery slope focuses on one thing, while a straw man can have any complex of setting up an opponent’s position such that it is much easier to disprove when you say it rather than the opponent.
Appeal to Emotion:
Many types- one for every sort of emotion or desired goal
Advertising, of course, appeals to desires for success, for happiness, for respect and status, appealing to both the desire for the positive and fear of the negative.
Appeal to Force:
Ex: If you don’t believe me, Islamic extremists will eat your baby.
Ex: If you are wrong about this, everything will unravel and society will collapse.
Notice how this is a special kind of slippery slope, which assumes the worst consequences that threaten the opponent or audience.
Appeal to Pity:
Ex: ‘If we don’t do it like I say, small children will cry’.
Ex: ‘This particular country has been poor for hundreds of years, so we should totally sell them a bunch of weapons to make them feel better about themselves’.
Appeal to Ignorance:
There are things about X we don’t know, so my opponent isn’t sure that X is Y.
Notice that this is also ‘sharing the fault’ of the Nyaya Sutra.
Ex: Bush head of AAS on global warming as ‘just a theory’
Red Herring:
Also ‘Missing the point’, taking the argument after an issue that does not decide the original issue being argued.
Ex: ‘You keep talking about the time that Gandhi stole cookies as a four year old child, but this is really a red herring…Your side needs to stop bringing this up and thinking that it demonstrates that he was evil.’
One type of Red Herring, certainly the most popular-
Personal Attack:
When one attacks the opponent and not the opponent’s argument. This also applies to attacking the way the opponent always argues but not the argument itself.
Ex: ‘You cannot believe a word my opponent says, because she/he is a communist/Mormon/atheist/aquatic fowl etc.’
Ex: ‘You’re just crazy…I don’t listen to crazy talk from crazy people.’
Fallacy of Composition and Fallacy of Division:
Wrongly attributing property of part to whole, and whole to part.
These are interlaced with the fallacies so far.
Ex of Fallacy of Composition:
If water is wet, and water is 3/5ths the human, then the human being is essentially wet.
If San Francisco and LA are very liberal, then California is very liberal.
Ex of Fallacy of Division:
If water is wet, and water is H2O, then Hydrogen must be wet.
If California is very liberal, then Fresno must be rocking liberal.
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