Parmenides
(510 - 450 BCE) was born in Elea, a Greek colony on the southern coast
of what is today Italy, near Croton, the place Pythagoras set up shop.
Parmenides became known as the founder of the Eleatic School, and Zeno
and Melissus, who we will cover next, were the school’s second and third
famous philosophers. Born from a wealthy family, Parmenides became
known as an excellent orator and legislator. He was known for leading
an admirable life, and the phrase ‘a Parmenidean life’ was known to
later Greeks as a noble existence of simplicity, morals and discipline.
Xenophanes
may or may not have taught Parmenides, but either way he was clearly a
major influence. We saw in studying Xenophanes that there are potential
problems in his thought, as he claims the One, monotheistic being, does
not move but shakes and causes all things by its thought. Parmenides
seems to be trying to resolve these problems, but to do so he enters
into different yet equally paradoxical waters.
Diogenes
Laertius says Parmenides was taught by a Pythagorean named Ameinias.
Parmenides seems to agree completely with Pythagoras’ account of the
universe, but strangely believes this is mere mortal opinion and
illusion, how reality appears to us but not the whole truth of how it
actually and fully is. Parmenides even states that males are conceived
in the right part of the uterus, and females from the left, following
the paired oppositions of the Pythagoreans.
Parmenides
had a large influence on Plato. Plato revered Parmenides, in his
dialog The Sophist calls him ‘Our father Parmenides’. In Plato’s early
dialogues, Socrates sounds very much like Heraclitus, questioning
whether human beings can ever be said to truly know anything. In the
middle and late dialogues, Socrates begins pursuing the true and the
good, giving it order and shape. Modern scholars are in general
agreement that Plato increasingly placed Parmenides over Heraclitus,
dividing the cosmos into the infinite above and the mortal below. The
forms of things, the eternal models from which all things come, are
unchanging and infinite, and so knowledge of these can be absolute and
true. Plato follows Parmenides in dividing truth and knowledge from
appearance and opinion.
Like
Heraclitus, we only have the opening and fragments of Parmenides’ only
work, On Nature, a work of poetry like that of Xenophanes. In it, an
unnamed goddess instructs the narrator, Parmenides himself, who journeys
from darkness to light (“leaving the house of night for the light”)
accompanied by daughters of the sun in a chariot. The daughters pull
back their veils from their heads, a gesture likely standing for
enlightenment and revealing.
The
word ‘apocalypse’ comes from ancient Greek for ‘revealing’. While
Christianity, with its origins partly in Greek philosophy, has
associated the word with the end of the world, this would merely be the
final apocalypse, any great revealing of truth being an apocalypse and
thus a wide variety of ‘apocalyptic literature’. Parmenides’ On Nature
is an example of this ancient genre. The ascent into the heavens to
acquire knowledge and descent into the world and/or underworld to know
the false and wrong is a theme common in ancient cultures including the
Homeric Greek myths. Parmenides is being converted and initiated into
the mysteries, found in mystery cults like that of Pythagoras. The
cosmos contains secrets that only revealed to the few who make the
journey.
For
Parmenides, there are two roads, one day and the other night, with
gates and doors in the sky. Strangely, this means that as Parmenides
ascends into the sky, he leaves the house of night below, only to find
the doors, the destinations of the roads of day and night, to be up in
the sky. Justice, the goddess Dike, holds the keys to the two doors.
She is said to be ‘avenging’, implying that she allows the good through
the door of day and pushes the bad through the door of night based on
merit. The daughters of the sun convince Dike to open the doors with
soothing words, and the chariot presumably flies through the door of day
to meet with ‘the goddess’, either Dike or some other unnamed divinity.
Parmenides,
departing from Homer and Hesiod, says that this goddess (possibly Dike)
governs all things, and that of all the gods she created Love first,
likely Aphrodite. She explains that though there is no reliance on the
opinions of mortals, but that opinions and appearances are a part of the
larger whole which can be found on the road of and through the door of
day, the light. The goddess says that Parmenides must learn the
persuasive truth, far above the common ‘beaten path’ of humanity. This
implies that various opinions, contradicting philosophical positions,
are not persuasive as the one common truth is (a position identical with
Heraclitus).
Parmenides
argues that because we speak and think about something, something must
exist as opposed to nothing. Thought is likened to the limbs of a body,
and the unity behind the thought in an individual mind is the same
unity for everyone and the cosmos itself. This means that the oneness
of a particular being (say, a frog), the conception of it as a
particular being (our concept of the frog), our conception of ourselves
as having perceptions and conceptions of the being, and the unity of the
cosmos are all one and the same unity, misunderstood/misthought by the
mind to be here at a certain time and there at another.
The
way of truth is described, and differentiated from the way of
appearance/opinion. Again, this is identical to Plato’s separation of
knowledge, which must be unchanging, from opinion, which is partial,
relative and mortal. The way of night and day are distinguished as that
which is and that which is not, two approaches. Parmenides suggests
that thought, when fallen and foolish, takes things apart and makes them
different for us in thinking they are different, obscuring the unity of
things in the One that is whole reality. In naming things, ‘marking’
them, we are the ones who separate and unify our reality, obscuring or
revealing the great unity as much as we can.
The
lower way is quite identifiable as the position of Heraclitus, in which
all things change and so there is only perspective and relative truth.
Parmenides sounds exactly like Heraclitus in condemning his position,
arguing those who say that being and nonbeing are the same and are not
the same, and who say that the road of all things turns back on itself,
are deaf and blind wanderers. Recall that Heraclitus said the road
forward is the road back, and day and night are one. Parmenides sees
Heraclitus as a common sleeper, incapable of distinguishing between day
and night and thus in darkness, while Heraclitus would say Parmenides is
a foolish expert who thinks he knows the complete and unchanging truth,
who thinks he can separate day from night, and is thus in darkness.
Most scholars today accept that Parmenides is writing this in direct
response and opposition to the work of Heraclitus.
Parmenides
argues that which permanently IS must be eternal and unborn, just like
Xenophanes says about his infinite god that is being, and also the same
as Heraclitus says of the cosmic fire that gives rise to all things.
Because change and becoming involve nonbeing, as Heraclitus argues,
being cannot involve any change as being does not admit any nonbeing.
While Heraclitus says there is only one unchanging thing, the supreme
One cosmic fire, as opposed to the many particular beings that change,
Parmenides argues that because there is only one unchanging thing,
including all particular things, all particularity and change is an
illusion.
Nothing
comes from nothing, Parmenides argues. “Ex nihilo, nihil fit”, in the
latin, from which we get the phrase ‘ex nihilo’, out of nothing or
nowhere. All nonbeing, including divisions and differences between
things, does not exist. While later Neoplatonists would say that there
are many types of nonbeing which exist as not-being in particular ways,
Parmenides is rather saying that all types of nonbeing do not exist at
all, are illusions given to us by our thoughts.
Some
have identified this ‘out of nothing, nothing comes’ with the later law
of conservation of energy , that energy can neither be created nor
destroyed. Some philosophers of science like Feyerabend have pointed
out that versions of big bang theory of modern physics violate this
principle, and that something coming from nothing is not seen anywhere
nor duplicatable in a laboratory and therefore scientifically
unverifiable.
Unlike
physicists, Parmenides argues that all motion, all change, is illusion
and false. Time is an illusion, an idea found in some Indian thought.
Parmenides argues that if things are moving, then they must move into
nothingness or void, participating with it, and because nothingness does
not exist this is impossible. Parmenides returns to the same two
arguments, first that being cannot be involved with nonbeing, and second
that nonbeing can not be. Heraclitus could argue that categorical
nothingness does not exist (and indeed we have not found any absolute
vacuums or voids), but relative being and nonbeing do exist and
commingle. For Heraclitus, this is true insight, whereas for Parmenides
this mixture is a confusion and illusion of thought.
Parmenides says that in truth, “Coming to being is extinguished, and destruction unknown”.
The
cosmos does not think or speak, but its awareness is its thinking all
things statically. While the same can be said of its speech, its order,
another paradox emerges. If the One is undivided and without
differentiation, what order is there? There can be no true order other
than indivisible and uncharacterizable unity, like the infinite of
Xenophanes.
Thought
and being are the same, and one must think and say for things to be.
For Parmenides, any separation of things into particulars is an
injection of nonbeing into being, a corruption via thought of the
original form and order. Additionally, human thoughts and concepts are
temporary and changing, and so being itself can not be said or thought.
In this, Parmenides is in complete agreement with Heraclitus. Both
believe that reality is a superior One, which is above human
comprehension. Heraclitus also allows for it to be unchanging insofar
as it is the continuous change of all. Heraclitus and Parmenides are
both said to be influenced, if not taught directly, by Xenophanes. To
resolve the paradox of Xenophanes’ infinite, Heraclitus says that the
stability is consistent instability of things, the unchanging is the
constant changing of things, while Parmenides says that the changing of
things and the multiplicity of things is an illusion.
The
One is a continuous thing, is indivisible, and does not have parts or
differences in itself. This again is identical to Xenophanes, but
Parmenides extends this to all particular things, saying that their
particularity and differentiation is illusion. He compares being to a
sphere, without parts and continuous along its surface. Some have
argued Parmenides believed being to be spherical in shape, others that
he is arguing being is without shape of any kind and he is merely using
the sphere as a metaphor.
Remember
that Heraclitus was the first to use the term ‘Logos’ for the order of
the cosmos, identifying it with speech. For Parmenides, we can’t know
truth through perception, but only by Logos, by order itself, though
Parmenides, like Xenophanes, is committing himself to saying that the
One does not move or actively order as that would be change and
difference.
The
duality between what is and what is mere appearance is similar to the
Pythagorean’ Y, the forked paths. Like Heraclitus, Parmenides says the
truth and knowledge is aetherial light, identifiable with the higher
elements, and untruth and opinion is darkness. Similarly, the road to
permanence is separate from the road to destruction. Both Pythagoras
and Parmenides apply this to individual human conduct and the physics of
the cosmos.
Parmenides
seems to agree with Anaxagoras’ and Pythagoras’ description of the
formation of the cosmos and how it came to be by separation of the
elements, which is strange as he believes this not to exist. Scholars
agree that Parmenides’ goddess describes Pythagorean cosmology and then
says that this is the opinions of mere mortals. Thus, Pythagoras is
completely correct about what the cosmos looks like to human beings,
which is wrong and an illusion. Like an optical illusion, we all
misperceive things the same way.
Zoroastrians
believed that Ahriman, the evil spirit or God, polluted the world in
the beginning, known as ‘the lie’ and ‘the drug’, in Persian ‘druj’,
from which we get our word ‘drug’. Like Heraclitus, Parmenides shares a
decently monotheistic cosmos with the Zoroastrians, and identifies
order with the Logos even though the cosmos can not move or speak the
way that mortals do.
Parmenides’
claim that all change is illusion and unreal is known to modern
scholarship as ‘The Eleatic Challenge’. Philosophers responded with
their own answers, showing that Parmenides was influential but also
controversial. Human thought is always both agreement and disagreement,
just as Heraclitus says that arguing against each other we agree, and
singing together we compete.
Democritus
and the atomists, who we will study soon, tried to resolve the paradox
with unchanging atoms that do not change themselves and are eternal but
recombine to make the changing things we perceive. Once again, the
unchanging is just beyond our perception even if it is within our
comprehension.
Einstein
believed in ‘block time’, that while we perceive time as moving that
all of time already exists as a static whole. The philosopher of
science Popper, who taught the more skeptical Feyerabend, called
Einstein ‘Parmenides’ as an insult for holding this view. Einstein was a
determinist, saying, “God doesn’t play dice with the universe”. Later
chaos theorists criticized Einstein as not enough of a relativist, not
believing enough in relativity, as Einstein argued that time and space
are relative but not necessity and chance, as necessity is absolute and
chance is an illusion. Chaos theorists argued that necessity and
chance, like time and space, are also relative, a relativist position
much like Heraclitus and unlike Parmenides.
Zeno
(490 - 430 BCE), also known as Zeno of Elea, is the most famous and
influential of the Eleatic school after Parmenides. In Plato’s dialogue
Parmenides, a major source for the life and thought of Parmenides and
Zeno, Plato says Parmenides was 65 and Zeno 40 when the two visited
Athens to spread their teachings, and Socrates is very young. Plato
says Zeno was good looking and loved by Parmenides, which many believe
meant that the two had a physical relationship that does not disturb
Plato or Socrates in the slightest.
Aristotle
says Zeno invented dialectic, reasoning back and forth from both sides
to find the truth. Assuming the principle of noncontradiction, which
Aristotle endorses, if one side contains a contradiction, you can
eliminate it. This is also known as ‘reductio ad absurdum’, reduction
to absurdity. To eliminate a position, we would start, “Suppose you are
right, and X is Y...but this leads to a contradiction, so we know that X
can not be Y”. However, Zeno used dialectic differently, as he assumed
all human arguments and concepts contain contradictions. This is
similar to the goddess of Parmenides arguing for Pythagoras’ view and
then saying that it is illusion. For Parmenides and Zeno, as well as
Heraclitus, all human concepts are incapable of grasping the truth in
itself, apart from anything.
Diogenes
Laertius wrote that Zeno was very skilled at arguing all sides of a
position, and that he was imprisoned and killed by King Demylus of Elea,
possibly for arguing against his position. Plutarch, the Roman
historian, wrote that Zeno tried to kill Demylus, and when he failed and
was captured, he bit off his own tongue and spit it in Demylus’ face,
killing himself.
While
none of Zeno’s writings have survived, he is famous for his paradoxes,
discussed by Aristotle and many others. There were supposedly forty
arguments that resulted in contradictions, but only nine survive today
found in the writings of others, and some seem to be alternate versions
of the same arguments. While some have thought that Zeno’s paradoxes
are meant to show that reality is paradoxical, Zeno intended his
arguments to show that human beings are incapable of knowing true
reality with human thought, and that any attempt to know the whole or a
part of the whole results in contradictions. Thus, while things seem to
clearly move in front of our eyes, when we try to argue how they move
our thinking becomes entangled in contradiction and paradox. Remember
that Xenophanes said no one will know the truth of the things about
which he speaks, the One and the supreme order of reality. If true,
this means that Zeno was not trying to eliminate one side of a
dialectic, but show that all sides of an argument result in
contradictions as no differentiated human argument or conception can be
the supreme undifferentiated unity itself.
While
mathematicians have supplied further conceptions to make sense of
Zeno’s paradoxes, there is still no general agreement on the paradoxes,
how they can be resolved or even if they are indeed paradoxes and
genuine examples of contradiction.
For
the his paradox of nonbeing, Zeno argues if being is many and not one,
then being contains nonbeing and what is alike is not alike, which is
impossible, as the similar cannot be different and the different cannot
be similar. This is entirely in line with Parmenides and antithetical
to Heraclitus. If being is absolute, not relative, then nonbeing cannot
exist at all, in any form or to any degree. Thus the paradox: nonbeing
seems quite real, but cannot really be.
For
his paradox of place, Zeno argues if things have a place, then a
thing’s place has a place, and this place has a place, ad infinitum.
This would be true of Anaxagoras’ infinite cosmos, unlike Hesiod’s
cosmos in which it takes an anvil nine days to fall from the height of
the heavens to the earth. Because this results in an infinite regress,
we have a paradox: finite places are not infinite, but there can’t be a
finite place without an infinite regress.
Zeno’s
most famous paradox is the paradox or impossibility of motion, which
Aristotle attacks extensively in his Physics. There are three versions
of this argument that are nearly identical: the Tortoise and Achilles,
the dichotomy argument, and the arrow in flight.
In
the Tortoise and Achilles version, Zeno argues that the quickest runner
cannot overtake the slowest given a head start, as there are an
infinite number of points to cross and this leads to an infinite
regress. Say that a tortoise is given a ten meter head start, and
Achilles attempts to catch up. First Achilles must reach the point from
which the tortoise started, to find that the tortoise has gained a bit
of ground. Then Achilles must reach this next point, only to find that
the tortoise continues to crawl ahead. There seem to be an infinite
number of points ahead of Achilles that he must cross, as each point
reached spawns a new point of destination. Therefore, though we all
know Achilles can catch the tortoise, it seems that he must cross an
infinite number of points to do it.
The
dichotomy argument works similarly, but with one mover moving towards a
fixed position. To get to the destination, the mover must cross half
the distance, then cross half the remaining distance, and again and
again until the destination is reached, which seems impossible given
that there is a never-ending set, an infinite regress, of half-segments
to be crossed. The path is finite and infinite at the same time, which
cannot be.
For
the ‘arrow in flight’ argument, Zeno argues that at each point along an
arrow’s path, the arrow is not moving, as it occupies a single space in
a moment of time. This means that the arrow, as it moves, is unmoving
at each point. Because a thing cannot move and stay unmoving at once,
all motion is impossible.
Neoplatonists
were concerned with the infinite, the finite and the problems of the
two being involved with each other. Nicholas of Cusa, a medieval German
Neoplatonist, argued that we can conceive of the infinite, and thus our
mind must be in some way infinite itself. He uses the example of a
mustard seed, asking us to imagine an infinite supply of earth, water
and light for it to grow. Clearly having the parable of Jesus in mind,
Nicholas argues that a single mortal mustard seed would multiply
endlessly in these conditions, giving us a real physical infinite
regress in both the growth of the seed and our comprehension that this
growth is infinite.
The
later German philosopher Hegel, who is well aware of the work of
Parmenides, Zeno and the Neoplatonists, argued that the infinite was
present as the finite, using the image of a circle as unending. Similar
work with the infinite of the German mathematician Cantor drove him
temporarily insane and he was committed to an asylum after discovering
his famous Cantor Set. If you imagine a line that splits into two
segments in the middle again and again in each part, after an infinite
number of splits you would have twice that, twice as infinite, number of
sections.
If
our reality is infinite, not having a beginning or end, that would mean
that everything is infinite but some infinite is more or less relative
to other parts, which is how things move at particular speeds. Consider
two treadmills, one running twice as fast as the other, but both moving
without cease. While both eventually result in an infinite amount of
motion, one moves twice as much as the other, such that one infinite is
twice another infinite. From the perspective of the slower treadmill,
even if both moved at infinite speeds, imperceivable to us, while it
stays immobile the faster treadmill moves at a constant and finite
speed.
Consider
the arrow in flight of Zeno’s motion paradox. The space the arrow must
cross is infinite insofar as it is infinitely divisible. To cross any
space is to cross an infinite distance, which is not impossible if the
motion is itself infinite, but greater relative to the space. The
quicker the arrow crosses the space, the greater it is relative to the
space. Aristotle argued that as the space between the tortoise and
Achilles, between the arrow and its target, gets smaller and smaller,
the time it takes to cross each division of space gets smaller and
smaller.
There
is also Diogenes, who we will study, who had his own refutation. After
hearing of Zeno’s arguments against motion, he stood up and walked a
short distance. This is similar to Samuel Johnson’s refutation of
Berkeley’s idealism. Berkeley (for whom our town is named) believed
that reality is in the mind and the world is a dream in the mind of God,
our own existences being dreams within the dream. Johnson, walking
from church with a friend speaking to him of Berkeley’s thought, kicked a
rock and said, “I refute it thus!”. Zeno would reply to both that
motion and material seem quite real, but these demonstrations only
underscore how argument for the everyday is strangely impossible.
Quantum
theorists have recalled Zeno’s paradox of motion in conjunction with
the wave-particle paradox, calling it the ‘quantum Zeno effect’, that
observation seems to change how reality behaves, either as a unified
wave or disunified number of particles whether or not the system is
observed. Similarly, if we observe the infinite divisibility of a
space, it seems impossible to cross, but only if we consider it’s
infinite divisibility, which seems to disappear as soon as we cease to
consider it as part of the problem.
Similarly,
fractal geometry suggests that the organic patterns we see everywhere
in the cosmos, as well as our human bodies, result from an infinite
number of permutations. Mandelbrot, while working at IBM, found that he
could create patterns that imitate nature by letting simple math games
reiterate a practically infinite number of times. The Mandelbrot Set,
the overarching pattern of these patterns, is now famous, and there are
many websites and youtube videos exploring the endless complexity of the
Mandelbrot Set.
Lewis
Carroll was fascinated by Zeno’s Achilles and Tortoise, created a
dialogue between the two in which the Tortoise, speaking as Zeno, always
outsmarts Achilles leading him into paradoxes and infinite regresses.
In Hofstadter’s book Godel, Escher, Bach, he considers Zeno’s
paradoxes, recreating Lewis Carroll’s dialogue in terms of modern
cognitivist science and fractal geometry.
Borges,
the argentinian writer famous for his Ficciones, his short works of
surreal fiction, was fascinated by Zeno, and often used infinite
regresses. In one of his tory of the Library, an unending library with
every possible book, including exact copies with one mistaken letter.
Melissus
(500 BCE) was from the island of Samos, the birthplace of Pythagoras.
Not much is known about his life. He may or may not have been a direct
student of Parmenides. One source says he commanded a naval fleet from
Samos that supposedly defeated the Athenian fleet led by the Athenian
general Pericles in 441 BCE.
Melissus
wrote arguments supporting Parmenides and the Eleatic school, like
Zeno. He was a major source of Eleatic philosophy for later
philosophers such as Plato and Aristotle, though they considered his
work to be inferior to that of Parmenides. Melissus, in departing
somewhat from Parmenides, also became an influence on later atomists we
will study.
Melissus
argues that the cosmos, all of being, is eternal, infinite,
indivisible, and unchanging. Unlike Parmenides, though difficult to
discern, Melissus argued that being is eternal but not timeless, not a
single static moment. Being does not change or move, but it extends
into the past and into the future endlessly. Also, Melissus argues that
the One is spatially unlimited, without explicitly saying that distance
and difference is illusion. If Melissus is arguing against time being
an illusion, his position is quite similar to Xenophanes, but this would
bring Melissus back from the problems of Parmenides’ position to the
previous problems of Xenophanes’ position. If the One, which is all,
does not move, then how do things move in time? If the One is
indivisible, then how is it omnipresent in unlimited space?
As
some ancient sources have suggested, Melissus may be arguing that the
unity of the cosmos, the oneness of the One, is eternal, infinite,
indivisible and unchanging but this does not make the many finite,
divisible and changing things of the cosmos illusion.
In
an early Buddhist text, the Questions of King Milinda (Milinda Panha), a
Buddhist missionary is questioned by the king of a greek trading colony
in Northwest India. Many of these colonies existed for centuries, and
were sites of exchange between Greek, Persian and Indian culture,
including Greek influence on early Buddhist stone carved statues. The
missionary and the king enter into a philosophical debate, both well
versed in various schools of thought.
Using
the metaphor of a chariot, shared by earlier Indian thought and Plato
alike, the missionary asks the king if the chariot is really its wheels,
or any of its parts, or if it is the unity of the parts aside from the
parts themselves, to each of which the king replies ‘no’. The
missionary says that this is true for the cosmos and the teachings of
the Buddha, and the king is pleased with the answer. The missionary, in
accord with Buddhist thought, argues that reality is one, and that the
oneness of reality is not found in a particular part (omnipresent and
characterless) and that it is not found exclusively in the unity
distinct from the parts. The oneness is not mere oneness distinct from
the many, but a oneness that is the unity of oneness and manyness, what
medieval European Neoplatonists called ‘hyper-ousia’, a super One that
can not even be characterized as unity in opposition to anything, not
even multiplicity.
Melissus
similarly argues that the One that is reality is all oneness and
manyness, that it contains all characterization without opposition and
so has no character, a ‘having-no-character’ which is
‘having-all-character’. Exclusively, the One is nothing. Inclusively,
the One is everything. This approaches the position of Xenophanes and
Heraclitus (who was mistaken for the Buddha by some scholars). While
the One does not change, this is an encompassing of all change, not a
denial of change as illusion.
Melissus
argues that the One is full, not empty, and that it remains full
without change. This fullness can include all change, in an unchanging
fashion. He says the One has no parts, no thickness, and no body. That
which includes all parts, all spans of width and all bodies does not
itself have distinct parts, has no distinct width and no distinct body.
Reality is not characteristically blue, or three inches thick, or has
thirteen parts, or is found particularly in the American Southwest.
Melissus, as an Eleatic, is strangely Heraclitean in his attempt to
resolve the thinking of Parmenides.